Hard Stuff

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A01=David Gordon
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Author_David Gordon
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Category1=Fiction
Category=FH
CIA
COP=United Kingdom
Crime
Delivery_Delivery within 10-20 working days
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eq_fiction
eq_isMigrated=2
eq_nobargain
eq_thrillers
FBI
Female Protagonist
Hard Boiled
heist
Language_English
Mafia
Mob
Organized Crime
PA=Available
Police
Price_€10 to €20
PS=Active
Pulp
softlaunch
Thriller
USA

Product details

  • ISBN 9781838933128
  • Weight: 220g
  • Dimensions: 128 x 196mm
  • Publication Date: 01 Oct 2020
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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The hotly anticipated sequel to David Gordon's The Bouncer.
For readers who like high-calibre humour mixed with their hard crime, here's a brilliant, pyrotechnic thriller from a fresh virtuoso of the crime caper genre.

Ex-black-ops-specialist-turned-strip-club-bouncer Joe Brody has a new qualification to add to his resume: he's the 'sheriff' for an alliance of New York City's mob bosses. In the straight world, you call the cops – in the underworld, you call Joe.

He's detoxing – too much of the hard stuff – at the clinic of a Chinese herbalist when the call comes in: the bosses need Joe to help them with – ironically – a high-end heroin problem.

A new drug dealer is in town and the bosses think they might be an Al Quaeda splinter group, trading dope for diamonds to fund a major-league terrorist atrocity. And that would just be bad for business.

Joe has a plan. He's a man who knows how to take down a terrorist cell. But first he needs a hit of the hard stuff – diamonds, this time – and lots of them...
Praise for The Bouncer:
'Clever plotting and a light-hearted tone add charm to this lively caper despite its multiple violent deaths... Lots of fun' SUNDAY TIMES

'The Bouncer will toss you over his shoulder like King Kong and carry you away' MAX ALLAN COLLINS

'David Gordon brings an outstanding new voice to the contemporary crime novel' ROBERT CRAIS

David Gordon holds an MA in English and Comparative Literature and an MFA in Writing from Columbia University. His work has appeared in the Paris Review, the New York Times and the Los Angeles Review of Books.

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