Hidden D. H. Lawrence

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20th century literature
A01=Myron Tuman
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Age Group_Uncategorized
Author_Myron Tuman
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Category1=Non-Fiction
Category=DSA
Category=DSBH
COP=United Kingdom
critical theory
D H Lawrence
Delivery_Pre-order
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eq_biography-true-stories
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gender studies
Language_English
male desire in literary modernism
masculinity in fiction
modernist literature
narrative perspective analysis
PA=Not yet available
Price_€100 and above
PS=Forthcoming
psychoanalytic criticism
psychology and literature
queer studies
sexuality and identity
softlaunch

Product details

  • ISBN 9781032784205
  • Weight: 480g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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The Hidden D. H. Lawrence is a new study of the psychological and literary aspects of a great writer’s lyrical genius. It explores how Lawrence, when writing on his favorite subject, the relations between men and women, moved so quickly between heavy-handed exposition and deeply inspired prose, depending on the gender of the object of his attention. Nowhere is this clearer than in the three grand love scenes from Lady Chatterley’s Lover, those cut from the first American edition of 1932. In these scenes, Mellors, Lawrence’s usual alter ego, suddenly and almost magically becomes the object of attention, although now seen through the eyes of his female protagonist. It may seem as if Lawrence’s purpose here is to probe a woman’s psyche, until one realizes that it is only such moments—when his focus seems less on his female character than the erotic allure of a powerful man—that unlock Lawrence’s lyrical genius. The claim here is that in his major novels and stories, Lawrence was less interested in exploring the emotional lives of women than in using his female characters (as well as many sensitive male protagonists) to explore his own psychic life, one marked by the persistent attraction to the image of a strong male—an inner life that for the last century has been hiding in plain sight.

Myron Tuman, with a PhD in Victorian literature from Tulane University, taught at universities in West Virginia, Alabama, and Louisiana. Since 2006, he has published a series of literary studies of major writers and the psychic strains of family life: Melville’s Gay Father, on men and their sons; Don Juan and His Daughter, on women and their fathers; The Sensitive Son, on men and their mothers; and The Stuttering Son, on men and their fathers.

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