Holocaust as Culture

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20th century
A01=Imre Kertesz
Age Group_Uncategorized
Age Group_Uncategorized
auschwitz
Author_Imre Kertesz
automatic-update
B06=Thomas Cooper
buchenwald
Category1=Non-Fiction
Category=HBTZ1
Category=NHTZ1
childhood
communism
concentration camps
COP=United Kingdom
cultural studies
death
Delivery_Delivery within 10-20 working days
dictatorship
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
european jews
expectations
extermination
genocide
german history
german-occupied europe
germany
historical
holocaust
hungarian writers
hungary
interpretation
jewish peoples
judaism
Language_English
literary historian
loss
national socialism
nazi
nazism
PA=Available
persecution
personal
Price_€10 to €20
PS=Active
second world war
social power
softlaunch
soviet occupation

Product details

  • ISBN 9780857425805
  • Weight: 57g
  • Dimensions: 13 x 20mm
  • Publication Date: 22 Jun 2018
  • Publisher: Seagull Books London Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Hungarian Imre Kertész was awarded the Nobel Prize in Literature in 2002 for “writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history.” His conversation with literary historian Thomas Cooper that is presented here speaks specifically to this relationship between the personal and the historical.   In The Holocaust as Culture,Kertész recalls his childhood in Buchenwald and Auschwitz and as a writer living under the so-called soft dictatorship of communist Hungary. Reflecting on his experiences of the Holocaust and the Soviet occupation of Hungary following World War II, Kertész likens the ideological machinery of National Socialism to the oppressive routines of life under communism. He also discusses the complex publication history of Fateless, his acclaimed novel about the experiences of a Hungarian child deported to Auschwitz, and the lack of interest with which it was initially met in Hungary due to its failure to conform to the communist government’s simplistic history of the relationship between Nazi occupiers and communist liberators. The underlying theme in the dialogue between Kertész and Cooper is the difficulty of mediating the past and creating models for interpreting history, and how this challenges ideas of self.  The title The Holocaust as Culture is taken from that of a talk Kertész gave in Vienna for a symposium on the life and works of Jean Améry. That essay is included here, and it reflects on Améry’s fear that history would all too quickly forget the fates of the victims of the concentration camps. Combined with an introduction by Thomas Cooper, the thoughts gathered here reveal Kertész’s views on the lengthening shadow of the Holocaust as an ever-present part of the world’s cultural memory and his idea of the crucial functions of literature and art as the vessels of this memory.

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