Image of Environmental Harm in American Social Documentary Photography

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A01=Chris Balaschak
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Age Group_Uncategorized
Akron Art Museum
Allen Sekula
America
American Photographic Practice
American photography
American social documentary photography
Arielle Azoulay
Author_Chris Balaschak
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Blake Stimson
Category1=Non-Fiction
Category=AC
Category=AGA
Category=AJ
Civic Exhibition
climate change
Climax Community
colonialism
community
Cooling Towers
COP=United Kingdom
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documentary photography environmental harm
Dorothea Lange
ecocritical analysis
economics
environment
environmental harm
environmental justice
Environmental Protection Agency
environmentalism
EPA Journal
EPA Superfund Site
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Finis Dunaway
Frank Wadsworth
FSA
GGE
global warming
Harvard Art Museums
Hine's Photographs
Hine's Work
Hine’s Photographs
Hine’s Work
industrial pollution impacts
industry
injustice
Interior America
John Lucaites
Language_English
Larry Sultan
LaToya Ruby Frazier
Lisa Philips
Louis Kaplan
Luquillo Mountains
Maren Stange
marginalized
media dissemination history
Neil Maher
New Deal
new social document
Nicole Fleetwood
PA=Available
photography
Pittsburgh Survey
politics
Price_€20 to €50
PS=Forthcoming
Puerto Rico
Rancho Seco
Robert Hariman
Sacrifice Zone
Sekula's Work
Sekula’s Work
Shale Play
Smathers Libraries
Social Documentary
social planning
softlaunch
SUNY Cortland
Three Mile Island
Tioga County
toxic landscapes
twentieth century
United States
visual culture studies
Waste Isolation Pilot Project

Product details

  • ISBN 9780367710521
  • Weight: 412g
  • Dimensions: 174 x 246mm
  • Publication Date: 02 Sep 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices.

Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism.

The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.

Chris Balaschak is an Associate Professor of Art History at Flagler College in St. Augustine, Florida.

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