Interior Landscapes of Breaking Bad

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A32=Cheryl D. Edelson
A32=Elizabeth Lowry
A32=Erin Bell
A32=Marco Bohr
A32=Tyler McCabe
A32=Will Gray
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B01=Cheryl D. Edelson
B01=Erin Bell
B01=Matthew Paproth
B01=Will Gray
Boundaries
Breaking Bad
Category1=Non-Fiction
Category=APT
Category=ATJ
Category=JBCC1
Category=JBSF
Category=JFCA
Category=JFSJ
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gender studies
Interiority
Language_English
Liminality
Masculinity
PA=Available
Place
Popular culture
Price_€50 to €100
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softlaunch
Sound and Spatial Literacy
Space
The American Frontier
Visual culture

Product details

  • ISBN 9781498597890
  • Weight: 485g
  • Dimensions: 160 x 231mm
  • Publication Date: 03 May 2019
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Already acknowledged by Metacritic and the Guinness World Records as the highest-rated series in the history of television, Breaking Bad has elicited an unprecedented amount of criticism. Writers both popular and academic, columnists as well as eager commenters, have addressed every imaginable topic, from the show’s characterization and major scenes, to fine details such as Walt’s knack for picking up habits from those he kills, and the symbolism inherent within the cars that characters own.


This book considers another perspective, one relatively unexplored to date. By considering the series from the perspective of its interior spaces, two possibilities emerge. Firstly, the spaces become a tangible record of their characters’ inner lives, one that provides something like an objective correlative or photographic negative of their thought processes and approach to the world. They provide more, and richer ways to trace the course of character, action, and themes throughout the series. Secondly, Breaking Bad’s spaces are not simply acted upon or within: they interact with characters as well. Interpreted through the theories of Judith Butler, Michel de Certeau, and many others, the series’ homes, labs, RVs and elevators take on new significance.


The collection plumbs the interior spaces of Breaking Bad from many angles. Ultimately, these diverse perspectives enrich an appreciation for the series and its innovative handling of interiors (both literal and metaphorical). They also suggest new ways of reading the series, ensuring it can continue to be explored by academics, students, and fans well into the future.

Erin Bell is assistant professor of English at Baker College in Allen Park, Michigan.

Cheryl D. Edelson is professor of English at Chaminade University of Honolulu.

Will Gray holds a PhD in literature from the University of St Andrews.

Matt Paproth is associate professor of English at Georgia Gwinnett College.