Italian Madrigal

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A01=Alfred Einstein
Absurdity
Age Group_Uncategorized
Age Group_Uncategorized
An die ferne Geliebte
Andrea Gabrieli
Antoine (musician)
Author_Alfred Einstein
automatic-update
B01=Alexander H. Krappe
B01=Oliver Strunk
B01=Roger Sessions
Baldassare Castiglione
Ballata
Bradamante
Brain in a vat
Canzone
Category1=Non-Fiction
Category=AVGC2
Category=AVL
Chanson
Choir
Claudio Monteverdi
Composer
Contrition
COP=United States
Costanzo Festa
Delivery_Delivery within 10-20 working days
Dempster-Shafer theory
Divino
Dorico
Eclogue
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Francesco Landini
Frottola
Grand opera
Holism
Homage (arts)
Inquiry
Intelligibility (communication)
Italian name
Language_English
Leggera
Libretto
Logical consequence
Luca Marenzio
Metaphor
Monody
Motet
Musician
Musico
Mutatis mutandis
Nervo (duo)
PA=Available
Pantalone
Parody
Pessimism
Petrarch
Philosopher
Pietro Bembo
Pleasure
Poet
Poetry
Polonium
Price_€50 to €100
PS=Active
Quattrocento
Reason
Republic of San Marco
Scientific theory
Secular music
Semantics
Sestina
Skepticism
SN=Princeton Legacy Library
softlaunch
Sonnet
Stanza
Suggestion
The Other Hand
The Various
Theory of justification
Tormenta (singer)
Unless
Verificationism
Villanella
Violin family
Vittoria Colonna
Work of art
Writing

Product details

  • ISBN 9780691627533
  • Dimensions: 203 x 254mm
  • Publication Date: 06 Aug 2019
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Volume 1 of 3. This monumental three-volume work on the Italian madrigal from its beginnings about 1500 to its decline in the 17th century is based on the research of 40 years, and is a cultural history of the development of Italian music. Mr. Einstein, renowned musicologist, supplies a background and a sense of proportion to the field: he gives the right order to the single composers in the evolution fo the madrigal, attaches new values to old names, and places in the foreground the outstanding, but until now rather neglected, personality of Cipriano de Rore. His work is not, however, purely musicological; his object is to inquire into the functions of secular music in Italian life during the Cinquecento, and to contribute to our knowledge and understanding of that great century in general. Translated from the German by Oliver Strunk, Roger Sessions and Alexander H. Krappe.

Originally published in 1948.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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