Making of The Wandering Earth

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B01=Jiaren Wang
B01=Regina Kanyu Wang (Storycom)
B06=Guo Qi
Category1=Non-Fiction
Category=APFA
Category=ATFA
Chinese Film Industry
Chinese popular culture studies
Chinese science fiction
cinematic worldbuilding
Clips
COP=United Kingdom
Delivery_Pre-order
Earth Engine
eq_art-fashion-photography
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eq_isMigrated=2
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eq_non-fiction
Film Industrialization
film production process
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Frant Gwo
Holding
Ice Field
Image Matting
industrial aesthetics analysis
Language_English
Lighter Core
Liu Qi
Mahjong
Ng Man Tat
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Physical Special Effects
post-production workflows
Price_€100 and above
PS=Active
Qu Chuxiao
Sci-fi Films
Science Fiction Film
science fiction filmmaking case study
softlaunch
Space Station
The Wandering Earth
Underground Cities
VFX-heavy science fiction films
Visual Effects Departments
Visual Effects Production
Visual Effects Shots
Visual Effects Supervisor
visual storytelling techniques
Wandering Earth
Weta Workshop
Wu Jing
Zhang Huan

Product details

  • ISBN 9781032036519
  • Weight: 1380g
  • Dimensions: 174 x 246mm
  • Publication Date: 16 Mar 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This handbook takes us through the making of The Wandering Earth, one of the highest-grossing non-English films of all time. It is a rare, in-depth, behind-the-scenes study of the making of a masterpiece, taking the reader through the entire production process of a landmark Chinese science fiction film.

The book brings to life how The Wandering Earth was created, from words to images, by a young and innovative professional team assembled by director Frant Gwo. It discusses specialized details of the filmmaking process and the collaborative work of the crew and the cast involved to present an intuitive feeling of the film’s production.

A step-by-step guide on the making of a radical large-scale film, this handbook critically examines its various stages such as

  • its development and production stages – the planning, preparing, recruiting, setting up departments and processes; writing the screenplay; creating a visual style and the production design; and the principal photography;
  • its challenging post-production stages – the editing, visual effects production, color mixing; dubbing, sound editing; publicity, etc.

Further, the chapters in volume also explore how Chinese science fiction films disrupt the Western narrative context and provide the larger discourse on Chinese science fiction.

Richly illustrated with exclusive first-hand visuals from the making of the film, this handbook, part of the Studies in Global Genre Fiction series, will be an essential read for professionals, scholars, researchers, and students of film and media production, film studies, popular culture, cultural studies, Chinese studies, world literature, and science fiction. It will also be of interest to the general reader interested in filmmaking.

Presented by Storycom

Editor-in-chief : Jiaren Wang

Vice editor-in-chief : Yiwen Zhang

Producer : Zhiyan Dong

English version editor and producer : Regina Kanyu Wang

Editing-writing committee members : Changye Chen, Aki Jiang, Jiecai Deng, Xinyue

Zhang, Mengyu Gu, Qianzi Wang

Translator : Guo Qi

Revisor : John Shanahan

Essayists : Mingwei Song, Yan Feng