Making of Thomas Hoccleve’s ‘Series’
Regular price
€112.99
14 days return policy
Shipping & Delivery
A01=David Watt
Age Group_Uncategorized
Age Group_Uncategorized
Author_David Watt
automatic-update
Category1=Non-Fiction
Category=DSBB
Category=DSC
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€100 and above
PS=Active
softlaunch
Product details
- ISBN 9780859898690
- Dimensions: 163 x 239mm
- Publication Date: 18 Jul 2013
- Publisher: Liverpool University Press
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Thomas Hoccleve’s Series (1419-21) tells the story of its own making. The Making of Thomas Hoccleve’s Series analyzes this story and considers what it might contribute to the larger story about book production in the fifteenth century. Focusing on four surviving manuscripts made by Hoccleve himself between 1422 and 1426, the first four chapters explore the making of the Series in context. They examine the importance of audience judgment in the selection and juxtaposition of forms, the extent to which the physical flexibility of books could serve the needs of their owners and their makers, the changing tastes of fifteenth-century readers, and the appetite for new paradigms for reform in head and members. The final chapter analyzes the most important non-authorial copy of the Series in order to ask what others made of it. While this study draws on Hoccleve’s experience, it asserts that the Series offers a reflection on, not a reflection of, his conception of book production. The ironic contrast between what Hoccleve’s narrator intends and accomplishes when making his book is its most redeeming feature, for it provides insight into the many conflicting pressures that shaped the way books were made and imagined in early fifteenth-century England.
David Watt is Assistant Professor of English in the Department of English, Film, and Theatre at the University of Manitoba. He has published articles on Hoccleve and book history and has contributed to the Broadview Anthology of British Literature.
