Material Landscapes of Scotland’s Jewellery Craft, 1780-1914

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1800s
19th century
A01=Sarah Laurenson
Age Group_Uncategorized
Age Group_Uncategorized
Author_Sarah Laurenson
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Category1=Non-Fiction
Category=AFKG
Category=JBCC2
Category=JFCD
COP=United Kingdom
Craft
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eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Industrial Revolution
Industry
Innovation in Craft
Jewellery
Language_English
Modern Manufacturing Processes
PA=Available
Price_€20 to €50
PS=Active
Scotland
softlaunch

Product details

  • ISBN 9781350469921
  • Weight: 660g
  • Dimensions: 150 x 228mm
  • Publication Date: 11 Jul 2024
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Shortlisted for the History Book Award in Scotland's National Book Awards, 2023

During the long 19th century, Scotland was home to an established body of skilled jewellers who were able to access a range of materials from the country’s varied natural landscape: precious gold and silver; sparkling crystals and colourful stones; freshwater pearls, shells and parts of rare animals.

Following these materials on their journey from hill and shore, across the jeweller’s bench and on to the bodies of wearers, this book challenges the persistent notion that the forces of industrialisation led to the decline of craft. It instead reveals a vivid picture of skilled producers who were driving new and revived areas of hand skill, and who were key to fostering a focused cultural engagement with the natural world – among both producers and consumers – through the things they made. By placing producers
and their skill in cultural context, it provides new and multifaceted insights into the wider transformations that marked British history during the long 19th century.

Uniting an array of jewellery objects with a range of other sources – including paintings, newspaper reports, inventories of big houses and small workshops, works of literary geology and early travel writings – it sets out innovative methodologies for writing about the histories of craft production, the natural environment and the material world. Now available in a paperback edition, it will be an important addition to the bookshelf of cultural historians and those interested in Scotland's wild landscapes and natural objects.

Sarah Laurenson is Principal Curator of Modern and Contemporary History at National Museums Scotland, UK. She is responsible for the Scottish collections representing cultural, social, political, military and domestic history from c.1750 to the present. Her research focuses on the relationship between material culture, landscape and nature from the late eighteenth century to the present day.

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