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A01=Heghnar Zeitlian Watenpaugh
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Armenian Genocide
art history
Author_Heghnar Zeitlian Watenpaugh
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Category1=Non-Fiction
Category=ACK
Category=AGA
Category=AKH
Category=HBJF1
Category=HBLC1
Category=NHG
COP=United States
cultural heritage
Delivery_Delivery within 10-20 working days
destruction of culture
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
genocide
Gospels
human rights
illumination
Language_English
medieval art
PA=Available
Price_€20 to €50
PS=Active
restitution
softlaunch

Product details

  • ISBN 9781503632608
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Apr 2022
  • Publisher: Stanford University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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In 2010, the world's wealthiest art institution, the J. Paul Getty Museum, found itself confronted by a century-old genocide. The Armenian Church was suing for the return of eight pages from the Zeytun Gospels, a manuscript illuminated by the greatest medieval Armenian artist, Toros Roslin. Protected for centuries in a remote church, the holy manuscript had followed the waves of displaced people exterminated during the Armenian genocide. Passed from hand to hand, caught in the confusion and brutality of the First World War, it was cleaved in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty.

The Missing Pages is the biography of a manuscript that is at once art, sacred object, and cultural heritage. Its tale mirrors the story of its scattered community as Armenians have struggled to redefine themselves after genocide and in the absence of a homeland. Heghnar Zeitlian Watenpaugh follows in the manuscript's footsteps through seven centuries, from medieval Armenia to the killing fields of 1915 Anatolia, the refugee camps of Aleppo, Ellis Island, and Soviet Armenia, and ultimately to a Los Angeles courtroom.

Reconstructing the path of the pages, Watenpaugh uncovers the rich tapestry of an extraordinary artwork and the people touched by it. At once a story of genocide and survival, of unimaginable loss and resilience, The Missing Pages captures the human costs of war and persuasively makes the case for a human right to art.

Heghnar Zeitlian Watenpaugh is Professor of Art History at the University of California, Davis. She is the award-winning author of The Image of an Ottoman City: Architecture in Aleppo (2004). Her writing has also appeared in the Huffington Post and the Los Angeles Times.

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