Modern Short Story and Magazine Culture, 1880-1950

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B01=Chris Mourant
B01=Elke D'hoker
Britain and Ireland
Category1=Non-Fiction
Category=DSK
COP=United Kingdom
Delivery_Delivery within 10-20 working days
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fin-de-si?cle
fin-de-siecle
Language_English
Magazines
modernism
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short story
softlaunch
women's writing

Product details

  • ISBN 9781474461092
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Nov 2022
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Explores the relationship between magazine culture and the development of the modern short story form in Britain Foregrounds the role of magazine culture in the development of the modern short story form Analyses a wide range of publications, from standard illustrated popular magazines to avant-garde little magazines Sheds new light on well-known publications and examines others that are as yet obscure or understudied Explores the impact of social and publishing networks on the production, dissemination and reception of short stories Helps recover neglected writers/editors and cast new light on more canonical ones This collection of original essays highlights the intertwined fates of the modern short story and periodical culture in the period 1880 1950, the heyday of magazine short fiction in Britain. Through case studies that focus on particular magazines, short stories and authors, chapters investigate the presence, status and functioning of short stories within a variety of periodical publications highbrow and popular, mainstream and specialised, middlebrow and avant-garde. Examining the impact of social and publishing networks on the production, dissemination and reception of short stories, it foregrounds the ways in which magazines and periodicals shaped conversations about the short story form and prompted or provoked writers into developing the genre.
Elke D’hoker is Full Professor of English Literature at the University of Leuven and Director of the Leuven Centre for Irish Studies. She has published widely on Irish fiction, the modern short story, periodical studies and literary pedagogy. She is the author of Irish Women Writers and the Modern Short Story (2016) and Visions of Alterity: Representation in the Works of John Banville (2004). She has edited or co-edited 11 books, including The Writer’s Torch: Reading Stories from The Bell (2022), Sarah Hall. Critical Essays (2022), Ethel Colburn Mayne. Selected Stories (2021), The Modern Short Story and Magazine Culture (2021), The Irish Short Story (2015) and Mary Lavin (2013). Chris Mourant is Lecturer in Early Twentieth-Century English Literature and Co-Director of the Centre for Modernist Cultures at the University of Birmingham. He is the author of Katherine Mansfield and Periodical Culture (Edinburgh University Press, 2019) and he is an editor of the journal Modernist Cultures.