Moving Statues of Seventeenth-Century Amsterdam

Regular price €39.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
17th century
A01=Angela Vanhaelen
Age Group_Uncategorized
Age Group_Uncategorized
Art Exhibitions
Author_Angela Vanhaelen
Automata
automatic-update
Category1=Non-Fiction
Category=ACQ
Category=AFK
Category=AGA
Clocks
COP=United States
Delivery_Delivery within 10-20 working days
Dutch
Dutch Republic
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Fountains
garden history
history
Labyrinths
Language_English
PA=Available
Popular culture
Price_€20 to €50
PS=Active
Robots
Robots and art
Sculpture history
softlaunch
Visual culture
Wax figures
Wax portraits

Product details

  • ISBN 9780271091600
  • Weight: 816g
  • Dimensions: 203 x 254mm
  • Publication Date: 21 Mar 2023
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven.

Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform.

Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.

Angela Vanhaelen is Professor of Art History at McGill University. She is the author of the award-winning book The Wake of Iconoclasm: Painting the Church in the Dutch Republic, also published by Penn State University Press.

More from this author