Music of Dada

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A01=Peter Dayan
Age Group_Uncategorized
Age Group_Uncategorized
Alberto Savinio
Author_Peter Dayan
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avant-garde music
ball
Boom Boom
Boom Boom Boom
Category1=Non-Fiction
Category=ACXD7
Category=AGA
Category=AVG
Category=AVL
COP=United Kingdom
Dada Event
Dada Music
Dada Performance
Dada Poetry
dadaist
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Elsa Von Freytag Loringhoven
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Erik Satie
Erwin Schulhoff
event
experimental composition
Francis Picabia
Georges Ribemont Dessaignes
Home Town
hugo
Hugo Ball
intermedia studies
Kurt Schwitters
Language_English
Late Romantic Composers
Marguerite Buffet
music in dadaist art movements
Nelly Van
PA=Available
performance
performance theory
perrottet
Price_€100 and above
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Satie's Music
Satie’s Music
softlaunch
sound art history
suzanne
Suzanne Perrottet
Theo Van Doesburg
tristan
TRISTAN TZARA
twentieth-century art
tzara
Van Doesburg
Wild Man
zurich
Zurich Dadaist

Product details

  • ISBN 9781138491861
  • Weight: 408g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Aug 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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100 years after the Dada soirées rocked the art world, the author investigates the role that music played in the movement. Dada is generally thought of as noisy and unmusical, but The Music of Dada shows that music was at the core of Dada theory and practice. Music (by Schoenberg, Satie and many others) performed on the piano played a central role in the soirées, from the beginnings in Zurich, in 1916, to the end in Paris and Holland, seven years later. The Music of Dada provides a historical analysis of music at Dada events, and asks why accounts of Dada have so consistently ignored music’s vital presence. The answer to that question turns out to explain how music has related to the other arts ever since the days of Dada. The music of Dada is the key to understanding intermediality in our time.

Peter Dayan is Professor of Word and Music Studies at the University of Edinburgh, and Obel Visiting Professor at the University of Aalborg. His publications include Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky (2011) and Music Writing Literature, from Sand via Debussy to Derrida (2006).

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