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Music of the Heavens
A01=Bruce Stephenson
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Apsis
Around the Moon
Astrological aspect
Astrology
Astronomer
Astronomia
Astronomia nova
Astronomical object
Astronomical unit
Astronomy
Author_Bruce Stephenson
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Calculation
Category1=Non-Fiction
Category=PDX
Category=PG
Category=PHVB
Celestial equator
Celestial sphere
Celestial spheres
Circular orbit
Classical planet
Conjunction (astronomy)
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Copernican heliocentrism
Copernican principle
De revolutionibus orbium coelestium
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Diameter
Diesis
Dodecahedron
Earth
Earth's orbit
Ecliptic
Effusion
Epitome Astronomiae Copernicanae
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Equilateral triangle
Exoplanet
Geocentric model
Geometry
Harmonices Mundi
Heliocentric orbit
Heliocentrism
Icosahedron
Johannes Kepler
Jupiter
Just intonation
Kepler's laws of planetary motion
Language_English
Major sixth
Mean motion
Music theory
Musica universalis
Mysterium Cosmographicum
Nicolaus Copernicus
Octahedron
Orbit
Orbital elements
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Perihelion and aphelion
Planet
Planetary body
Planetary system
Polyhedron
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Proportionality (mathematics)
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Saturn
softlaunch
Solar System
Sphere of fire
Spherical model
Sublunary sphere
Tetrachord
Tetrahedron
Theory
TheSky (astronomy software)
To the Earth
Two Planets
Tychonic system
Universe
Venus
Product details
- ISBN 9780691634821
- Weight: 539g
- Dimensions: 152 x 229mm
- Publication Date: 19 Apr 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
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Valued today for its development of the third law of planetary motion, Harmonice mundi (1619) was intended by Kepler to expand on ancient efforts to discern a Creator's plan for the planetary system--an arrangement thought to be based on harmonic relationships. Challenging critics who characterize Kepler's theories of harmonic astronomy as "mystical," Bruce Stephenson offers the first thorough technical analysis of the music the astronomer thought the heavens made, and the logic that led him to find musical patterns in his data. In so doing, Stephenson illuminates crucial aspects of Kepler's intellectual development, particularly his ways of classifying and drawing inferences. Beginning with a survey of similar theories associating music with the cyclic motions of planets, from Plato to Boethius, the author highlights Ptolemy's Harmonics, a source of inspiration for Kepler's later work. Turning to Kepler himself, Stephenson gives an account of his polyhedral theory, which explains the number and sizes of the planetary orbits in terms of the five regular poly-hedral.
He then examines in detail an early theory that relates the planets' vel-ocities to a musical chord, and analyzes Kepler's unpublished commentary on Ptolemy's Harmonics. Devoting most of his attention to Book Five of Harmonice mundi, in which Kepler elaborated on the musical structure of the planetary system, Stephenson lays important groundwork for any further evaluation of Kepler's scientific thought. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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