Musical World of Marie-Antoinette

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A01=Barrington James
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Austrian composer
Author_Barrington James
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Category1=Non-Fiction
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Category=ATQ
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Category=AVGC9
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COP=United States
court dancing
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eq_history
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French Revolution
Language_English
musical centers
Musicals
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Price_€20 to €50
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queen
softlaunch

Product details

  • ISBN 9781476684369
  • Weight: 476g
  • Dimensions: 178 x 254mm
  • Publication Date: 14 Jul 2021
  • Publisher: McFarland & Co Inc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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For decades, eighteenth-century Paris had been declining into a baroque backwater. Spectacles at the opera, once considered fit for a king, had become "hell for the ears," wrote playwright Carlos Goldoni. Then, in 1774, with the crowning of Louis XVI and Marie-Antoinette, Paris became one of the world's most vibrant musical centers.

Austrian composer Christophe-Willibald Gluck, protege of the queen, introduced a new kind of tragic opera--dramatic, human and closer to nature. The expressive pantomime known as ballet d'action, forerunner of the modern ballet, replaced stately court dancing. Along the boulevards, people whistled lighter tunes from the Italian opera, where the queen's favorite composer, Andre Modeste Gretry, ruled supreme.

This book recounts Gluck's remaking of the grand operatic tragedy--long symbolic of absolute monarchy--and the vehement quarrels between those who embraced reform and those who preferred familiar baroque tunes or the sweeter melodies of Italy. The turmoil was an important element in the ferment that led to the French Revolution and the beheading of the queen.

Barrington James has been a reporter, editor and foreign correspondent for several major news organizations, including the New York Herald Tribune, United Press International, and the International Herald Tribune in Paris. He lives in Sèvres, France.

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