Mysterious Marksman

Regular price €18.99
Regular price €23.99 Sale Sale price €18.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Seno Gumira Ajidarma
Age Group_Uncategorized
Age Group_Uncategorized
Author_Seno Gumira Ajidarma
automatic-update
B06=Joan Suyenaga
Category1=Fiction
Category=FA
Category=FBA
Category=FYB
Category=JPQB
COP=Indonesia
Delivery_Delivery within 10-20 working days
eq_anthologies-novellas-short-stories
eq_bestseller
eq_fiction
eq_isMigrated=2
eq_modern-contemporary
eq_nobargain
eq_non-fiction
eq_society-politics
Indonesian literature
Joan Suyenaga
Language_English
Lontar
Modern Library of Indonesia
PA=Available
Price_€10 to €20
PS=Active
Seno Gumira Ajidarma
softlaunch
translation

Product details

  • ISBN 9786026978837
  • Weight: 224g
  • Dimensions: 139 x 215mm
  • Publication Date: 31 Oct 2019
  • Publisher: Yayasan Lontar
  • Publication City/Country: ID
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
Between 1983–1985, a series of extrajudicial executions of criminals took place throughout Indonesia in which bodies, many of which had tattoos, were found shot and left in public places. The killings, which became known as petrus, an acronym for penembak misterius (mysterious marksman) and were later admitted to be a government effort to control crime, terrified the unsuspecting public. Three of the stories in this collection are related to this confusing and fearful time. All of the stories deal with despair—sometimes tender, sometimes absurd, sometimes grotesque. Seno Gumira Ajidarma is a master storyteller who can capture a sentiment and turn it into events that unfold as comedy or heartbreaking tragedy, each revealing a desperate struggle to deal with memories and change.
Having published more than 30 books since the 1980s, Seno Gumira Ajidarma is one of Indonesia’s most prolific authors. As a novelist, essayist, and short story writer, Seno’s work often both document everyday life and criticize contemporary social, cultural, and political conditions. His writing style is varied, ranging from reportage and realism to fantasy. Once asked whether his work is surrealism, magical realism, fantasy or postmodern journalism, he answered simply, “Call it whatever you want. It’s what I do.” In 2014, along with various journalists and communications professionals, he launched a blog called PanaJournal that featured human interest stories.

More from this author