Neurocognition of Dance

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Action Observation Network
Actual Joint Angle
B01=Bettina Blasing
B01=Martin Puttke
B01=Thomas Schack
BACs
ballet
Ballett Frankfurt
Beatriz Calvo-Merino
Body Model
Bridging Model
Category1=Non-Fiction
Category=AB
Category=ATD
Category=ATQ
Category=JMM
Category=JMR
Category=NL-AS
Category=NL-JM
Category=NL-MF
Category=PSAN
Category=SCGF
Category=SCGP
Choreographic Thinking
classical
Classical Ballet
cognitive motor control
cognitive neuroscience of dance learning
Contemporary Dance Training
COP=United Kingdom
Corinne Jola
Dance Expertise
Dance Making
Dance Training
dancer
Data Fitting Approach
David A. Rosenbaum
Elizabeth Waterhouse
embodied cognition
Emily S. Cross
End State Comfort Effect
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
eq_sports-fitness
Experimental Choreography
expert movement analysis
expertise
Format=BC
Forsythe Company
Front Loop
Galeet BenZion
Gregor Zollig
Guido Orgs
HMM=234
Holk Cruse
IMPN=Routledge
Information Importance
ISBN13=9781138847866
Jeremy Leslie-Spinks
Jonathan Harrow
Key Frames
Kinesthetic Representations
Language_English
Malte Schilling
Martin Puttke
mental
mirror
Mirror Neurons
Motor Repertoire
move
movement perception
neuroaesthetics research
neuron
Novice Dancers
PA=Available
PD=20180723
performance
Philip Barnard
POP=London
Premotor Cortex
Price=€20 to €50
PS=Active
PUB=Taylor & Francis Ltd
representation
Scott deLahunta
sensorimotor integration
Subject=Dance & Other Performing Arts
Subject=Pre-clinical Medicine: Basic Sciences
Subject=Psychology
Thomas Schack
Vice Versa
WG=476
WMM=156

Product details

  • ISBN 9781138847866
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Jul 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: London, GB
  • Product Form: Paperback
  • Language: English
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Dance has always been an important aspect of all human cultures, and the study of human movement and action has become a topic of increasing relevance over the last decade, bringing dance into the focus of the cognitive sciences. Since the first edition of The Neurocognition of Dance was published, research into the cognitive science of dance has expanded extensively, with the number of scientific studies focusing on dance and dance-related topics in cognitive psychology growing significantly.

Featuring three new chapters addressing topics that have become highly relevant to the field in recent years – neuroaesthetics, entrainment, and choreographic cognition – as well as progress in teaching based on novel methods, this comprehensively revised and updated new edition of The Neurocognition of Dance is full of cutting-edge insights from scientists, researchers, and professionals from the world of dance.

Also now including online material such as links to video clips, colour images and hands-on material for practical application, this book is an essential companion for students and professionals from fields including dance, cognitive psychology, sport psychology and sport science, movement science, and cognitive robotics.

Bettina Bläsing is a Responsible Investigator at the Center of Excellence Cognitive Interaction Technology (CITEC) at Bielefeld University, Germany. She studied Biology at Bielefeld University and Animal Behaviour at the University of Edinburgh, Scotland. Bettina worked as science journalist and editor, as scientific coordinator at the University of Leipzig and as a postdoctoral researcher at the Max Planck Institute for Evolutionary Anthropology before joining the Neurocognition and Action Research Group at Bielefeld University in 2006. Her main research interests are mental representations of movement, body and space, the control and learning of complex full body movements and manual actions, and expertise in sports and dance.

Martin Puttke was formerly a dancer, headmaster and artistic director of the State Ballet School Berlin. He was also the ballet director of the State Opera Ballet Company Berlin and of the Aalto Ballett Theater Essen. He is a renowned ballet pedagogue. In 1988 he became a Professor at the Hochschule für Schauspielkunst 'Ernst Busch' Berlin. His main interest is the renewal of the school of classical dance by his new system DANAMOS.

Thomas Schack is Professor and Head of the Neurocognition and Action Research Group at Bielefeld University. He is Principal Investigator at the Center of Excellence Cognitive Interaction Technology (CITEC) and member of the Research Institute for Cognition and Robotics (CoR-Lab). His main research interests concern mental movement representation, mental training, cognitive robotics and the neurocognitive basis of complex movement.