New Gods

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A01=E. M. Cioran
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analysis
analytical
anthropology
aphorism
aphoristic
Author_E. M. Cioran
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belief
Category1=Non-Fiction
Category=HP
Category=HRAB
Category=QD
Category=QRAB
collected works
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creation
creationism
death
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despair
disease
end of life
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essay collection
essays
ethics
faith
fatalist
fatalistic
fear
god
good and evil
human nature
humanism
humanity
illness
infirmity
Language_English
lyrical
mental health
morals
nihilism
nihilistic
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pessimism
pessimistic
philosopher
philosophical
philosophy
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prose
PS=Active
religion
religious studies
skeptic
softlaunch
suicidal ideation
suicide
values
weakness

Product details

  • ISBN 9780226037103
  • Weight: 181g
  • Dimensions: 1 x 1mm
  • Publication Date: 22 Mar 2013
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as On the Heights of Despair and Tears and Saints, The New Gods eschews his usual aphoristic approach in favor of more extensive and analytic essays. Returning to many of Cioran’s favorite themes, The New Gods explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pedestrian destination rife with decay, death, and human weakness. In another chapter, Cioran explores suicide in shorter, impressionistic bursts, while “The Demiurge” is a shambolic exploration of man’s relationship with good, evil, and God. All the while, The New Gods reaffirms Cioran’s belief in “lucid despair,” and his own signature mixture of pessimism and skepticism in language that never fails to be a pleasure. Perhaps his prose itself is an argument against Cioran’s near-nihilism: there is beauty in his books.

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