Noisy Renaissance

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"acoustic topography"
"Renaissance Florence"
"soundscape"
A01=Niall Atkinson
acoustics
Age Group_Uncategorized
Age Group_Uncategorized
Atkinson
Author_Niall Atkinson
automatic-update
Category1=Non-Fiction
Category=AC
Category=ACND
Category=AGA
Category=AMX
Category=HBLH
community
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
history
Italy
Language_English
PA=Available
Price_€20 to €50
PS=Active
society
softlaunch
sound

Product details

  • ISBN 9780271071206
  • Weight: 1179g
  • Dimensions: 229 x 254mm
  • Publication Date: 15 Oct 2017
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society.

Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an “acoustic topography” of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city’s physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious.

By exploring these rarely studied soundscapes, Atkinson shows Florence to be both an exceptional and an exemplary case study of urban conditions in the early modern period.

Niall Atkinson is Assistant Professor of Art History at the University of Chicago.

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