Part and the Whole in Early American Literature, Print Culture, and Art

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A32=D. Berton Emerson
A32=Daniel Diez Couch
A32=John Saillant
A32=Keri Holt
A32=Laurel Hankins
A32=Laurel V. Hankins
A32=Lori Rogers-Stokes
A32=Marion Rust
A32=Nicholas K. Mohlmann
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Almanac
automatic-update
B01=Daniel Diez Couch
B01=Matthew Pethers
Category1=Non-Fiction
Category=ACQ
Category=ACVC
Category=AGA
Category=DSBD
Category=DSBF
Category=HBJK
Category=HBLH
Category=HBLL
Category=NHK
Charles Sullivan
COP=United States
Delivery_Delivery within 10-20 working days
Early America
Early American aesthetics
Early American literature
Early American studies
Edward Taylor
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
formalism
Fragments
John Beauchamp Jones
John Marrant
Language_English
Lists
Mary Rowlandson
Massachusetts Bay Colony church records
Nathaniel Ames
Nathaniel Hawthorne
PA=Available
Periodicals
Price_€50 to €100
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pseudonymous novelist "Anna"
ruins
Samuel Atkinson
Sarah Kemble Knight
softlaunch
Thomas Shepard
Washington Irving

Product details

  • ISBN 9781684485079
  • Weight: 454g
  • Dimensions: 156 x 235mm
  • Publication Date: 12 Apr 2024
  • Publisher: Bucknell University Press,U.S.
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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The essays in this pathbreaking collection consider the significance of varied early American fragmentary genres and practices-from diaries and poetry, to almanacs and commonplace books, to sermons and lists, to Indigenous ruins and other material shards and fragments-often overlooked by critics in a scholarly privileging of the “whole.” Contributors from literary studies, book history, and visual culture discuss a host of canonical and non-canonical figures, from Edward Taylor and Washington Irving to Mary Rowlandson and Sarah Kemble Knight, offering insight into the many intellectual, ideological, and material variations of “form” that populated the early American cultural landscape. As these essays reveal, the casting of the fragmentary as aesthetically eccentric or incomplete was a way of reckoning with concerns about the related fragmentation of nation, society, and self. For a contemporary audience, they offer new ways to think about the inevitable gaps and absences in our cultural and historical archive.

MATTHEW PETHERS is an associate professor of American intellectual and cultural history at the University of Nottingham in the UK. He is the editor of The Edinburgh Companion to Nineteenth-Century American Letters and Letter-Writing and is currently coediting volume two of The Collected Writings of Charles Brockden Brown (Bucknell University Press).

DANIEL DIEZ COUCH is an associate professor of English at the United States Air Force Academy in Colorado, where he teaches eighteenth- and nineteenth-century American literature. He is the author of American Fragments: The Political Aesthetic of Unfinished Forms in the Early Republic.