Performance of Sculpture in Renaissance Venice
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A01=Lorenzo G. Buonanno
aesthetic
Age Group_Uncategorized
Age Group_Uncategorized
Altar Decoration
ambition
artistic self-fashioning
artists
audience reception theory
Author_Lorenzo G. Buonanno
automatic-update
Cameraphoto Arte
Category1=Non-Fiction
Category=AC
Category=AFKB
Category=AGA
Category=HBJD
Category=HBLH
Category=NHD
Christ Child
city
COP=United Kingdom
De Sculptura
Delivery_Pre-order
devotional art
Ducal Palace
early modern
early modern Italy
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fifteenth century
Francesco Sansovino
Harvard Art Museums
Hypnerotomachia Poliphili
Italy
Jacopo Sansovino
Language_English
material culture studies
materiality
PA=Temporarily unavailable
paintings
Palazzo Ducale
performance
Piazza Del Popolo
Pietro's Signature
Polychrome Marbles
Price_€100 and above
prints
PS=Active
Renaissance
ritual
Saint Mark
San Giobbe Altarpiece
San Sepolcro
Santa Maria Dei Miracoli
Santa Maria Gloriosa Dei Frari
Scala Dei Giganti
Sculpted Altarpieces
sculptors
sculpture
sculpture perception in Renaissance Venice
Single Pour
softlaunch
stone
tactile
theater
theory
Tullio Lombardo
Venetian art history
Venetian Sculptor
Venice
Walters Art Museum
Winged Horse
Young Man
Product details
- ISBN 9780367335663
- Weight: 720g
- Dimensions: 174 x 246mm
- Publication Date: 03 Mar 2022
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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This study reveals the broad material, devotional, and cultural implications of sculpture in Renaissance Venice.
Examining a wide range of sources—the era’s art-theoretical and devotional literature, guidebooks and travel diaries, and artworks in various media—Lorenzo Buonanno recovers the sculptural values permeating a city most famous for its painting. The book traces the interconnected phenomena of audience response, display and thematization of sculptural bravura, and artistic self-fashioning.
It will be of interest to scholars working in art history, Renaissance history, early modern art and architecture, material culture, and Italian studies.
Lorenzo G. Buonanno is Assistant Professor at the University of Massachusetts, Boston.
