Personal and the Political in American Working-Class Literature, 1850–1939

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A01=Laurie J. C. Cella
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Author_Laurie J. C. Cella
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Category1=Non-Fiction
Category=DS
Category=DSBF
Category=HBJK
Category=HBLL
Category=JBSF1
Category=JFSJ1
Category=NHK
COP=United States
Dance Halls
Delivery_Delivery within 10-20 working days
Dime Novels
Ella May Wiggins
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eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gender studies
History
Labor Strikes
Language_English
PA=Available
Picketing
Popular Culture
Price_€50 to €100
PS=Active
Sexual Agency
Sexuality Studies
softlaunch
Women's studies
Working-class women

Product details

  • ISBN 9781498581202
  • Weight: 472g
  • Dimensions: 160 x 229mm
  • Publication Date: 06 Sep 2019
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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As working women invaded the public space of the factory in the nineteenth century, they challenged Victorian notions of female domesticity and chastity. With virtue at the forefront of discussions regarding working women, aspects of working-class women’s culture—fashion, fiction, and dance halls—become vivid signifiers for moral impropriety, and attempts to censure these activities become overt attempts to censure female sexuality in the workplace. The Personal and the Political in American Working-Class Literature, 1850–1939 argues that these informal and often ignored “trifles” of female community provided the building blocks for female solidarity in the workplace. While most critical approaches to working-class fiction emphasize female suffering rather than agency, this book argues that working women themselves viewed aspects of consumer culture and new avenues for courtship as extensions of their rights as breadwinners. The strike itself is an intense moment of political upheaval that lends itself to more extensive personal and sexual freedoms. Through its analysis of strike novels, this book provides a fuller picture of working-class women as they simultaneously navigate new identities as “working ladies” and enter the dramatic and sometimes violent world of labor activism. This book is recommended for scholars of literary studies, women’s studies, and US history.
Laurie Cella is associate professor of English at Shippensburg University.

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