Philosophy of Christopher Nolan

Regular price €107.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A32=George A. Dunn
A32=J. L. A. Garcia
A32=Jason Burke Murphy
A32=Jason T. Eberl
A32=Joseph J. Foy
A32=Kevin S. Decker
A32=Lance Belluomini
A32=Timothy M. Dale
Age Group_Uncategorized
Age Group_Uncategorized
Aristotle
automatic-update
B01=George A. Dunn
B01=Jason T. Eberl
Batman trilogy
Category1=Non-Fiction
Category=HP
Category=JBCC1
Category=JFCA
Category=QD
continental philosophy
COP=United States
cultural studies
Delivery_Delivery within 10-20 working days
desire
epistemology
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film studies
Hume
illusion
Inception
Interstellar
intrinsic value
Kierkegaard
Language_English
Locke
Memento
memory
metalepsis
mimetic theory
moral justification
moral psychology
Nozick
PA=Available
Peirce
phenomenology
Plato
popular culture
Price_€50 to €100
PS=Active
rationalization
Rene Girard
self-identity
softlaunch
telos
The Prestige

Product details

  • ISBN 9781498513524
  • Weight: 549g
  • Dimensions: 157 x 239mm
  • Publication Date: 20 Jun 2017
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what’s “real,” the political psychology of heroes and villains, and what it means to be a “viewer” of Nolan’s films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan’s films provoke; exploring these questions yields its own reward.

Jason T. Eberl is Semler Endowed Chair for Medical Ethics and professor of philosophy at Marian University.

George A. Dunn lectures in philosophy and religion at the University of Indianapolis and the Ningbo Institute of Technology in Zhejiang Province.