Philosophy of Documentary Film

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A23=Timothy Corrigan
A32=Ariella Azoulay
A32=Diana Allan
A32=Gregory Currie
A32=Mieke Bal
A32=Noël Carroll
A32=Rick Altman
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aesthetics
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B01=David LaRocca
Baudrillard
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Chantal Akerman
cinema
Cinema Verite
continental philosophy
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cultural studies
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Errol Morris
film studies
film theory
filmmakers
Grant Gee
I'm Still Here
I’m Still Here
Joshua Oppenheimer
Ken Burns
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Michael Moore
nature film
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philosophy of film
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popular studies
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Robert Bresson
Sarah Polley
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The Big Short
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Vincent Grenier
Werner Herzog
Zidane

Product details

  • ISBN 9781498504515
  • Weight: 998g
  • Dimensions: 160 x 238mm
  • Publication Date: 20 Dec 2016
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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The spirit that founded the volume and guided its development is radically inter- and transdisciplinary. Dispatches have arrived from anthropology, communications, English, film studies (including theory, history, criticism), literary studies (including theory, history, criticism), media and screen studies, cognitive cultural studies, narratology, philosophy, poetics, politics, and political theory; and as a special aspect of the volume, theorist-filmmakers make their thoughts known as well. Consequently, the critical reflections gathered here are decidedly pluralistic and heterogeneous, inviting—not bracketing or partitioning—the dynamism and diversity of the arts, humanities, social sciences, and even natural sciences (in so far as we are biological beings who are trying to track our cognitive and perceptual understanding of a nonbiological thing—namely, film, whether celluloid-based or in digital form); these disciplines, so habitually cordoned off from one another, are brought together into a shared conversation about a common object and domain of investigation.

This book will be of interest to theorists and practitioners of nonfiction film; to emerging and established scholars contributing to the secondary literature; and to those who are intrigued by the kinds of questions and claims that seem native to nonfiction film, and who may wish to explore some critical responses to them written in engaging language.

David LaRocca is visiting assistant professor in the Department of Philosophy at the State University of New York College at Cortland.