Philosophy of Fiction

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aesthetic value
aesthetics theory
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Amy Kind
Anna Ichino
Artistic Fiction
attentional terms
automatic-update
B01=Julia Langkau
B01=Patrik Engisch
belief
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Category=HPN
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Category=QDTM
Category=QDTN
cognition
Contrast View
COP=United Kingdom
Covert Narrators
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Derek Matravers
Egocentric Space
Eileen John
emotional imagination
Empathetic Imagination
empathy in reading
Endorsing Conspiracy Theories
epistemology of literature
eq_bestseller
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eq_non-fiction
fictional immersion
fictional narrators
Fictive Stance
Fidelity Constraint
Fiora Salis
Green Slime
Holmes Stories
Horror Movie
imagination
imagination in philosophical analysis
Imaginative Practice
imaginative skill
intuition
Julia Langkau
Language_English
literary cognition
Magdalena Balcerak Jackson
make-believe
Manuel Garcia-Carpintero
Margherita Arcangeli
Maria Jose Alcaraz Leon
Mary's Fear
Miguel Angel Sebastian
narrative
narrative engagement
Narrow Cognitivism
Non-fictional Content
OED Entry
PA=Available
Paloma Atencia-Linares
Patrik Engisch
phenomenal consciousness
philosophy of fiction
pleasure
Post Truth Age
Price_€20 to €50
projection
Propositionally Imagine
PS=Active
recreative imagination
Richard Woodward
softlaunch
Target Object's Location
Vicarious Version
Violating
Wild Boar

Product details

  • ISBN 9780367689452
  • Weight: 550g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book presents new research on the crucial role that imagination plays in contemporary philosophy of fiction.

The first part of the book challenges the main paradigm set by Kendall Walton and Gregory Currie, according to which there is a necessary connection between fiction and a prescription that we engage imaginatively with its content. The contributors address the fundamental questions of how we can define fiction, and especially whether we can define fiction in terms of imagination. The second part focuses on a distinct but related question: can we point to some distinctive experiential features of our engagement with fiction? In the third part, the focus lies on the cognitive value of fiction and on the role that imagination plays in that respect. The chapters in this part discuss the cognitive value of fiction with respect to issues such as the training of the faculty of imagination, phenomenal experience, empathy, and the emotions.

The Philosophy of Fiction will be of interest to scholars and advanced students working in aesthetics, philosophy of mind, epistemology, and literary studies.

Chapter 13 of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Patrik Engisch is SNF Post-Doctoral Researcher at the University of Geneva. He works in the philosophy of mind, aesthetics, and the philosophy of food. He is the co-editor of A Philosophy of Recipes: Making, Experiencing, and Valuing (Bloomsbury, 2022).

Julia Langkau is Assistant Professor at the University of Geneva. Her main research areas are the philosophy of mind, epistemology, and aesthetics. She is working on a project titled Creativity, Imagination and Tradition, funded by the Swiss National Science Foundation (SNSF PRIMA grant).