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Photographic Object 1970
Photographic Object 1970
★★★★★
★★★★★
Regular price
€51.99
Regular price
€52.99
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Sale price
€51.99
1960s photography
1970s photography
20th century american photography
20th century photography
Age Group_Uncategorized
Age Group_Uncategorized
american artistry
american photography
art appreciation
art history
automatic-update
B01=Mary Statzer
canadian photographers
Category1=Non-Fiction
Category=ACXJ
Category=AGA
Category=AGC
Category=AJC
contemporary artists
COP=United States
Delivery_Delivery within 10-20 working days
drew sawyer
ellen brooks
eq_art-fashion-photography
eq_isMigrated=2
eq_non-fiction
erin otoole
eva respini
jerry mcmillan
Language_English
lucy soutter
michael de courcy
moma
museum of modern art
north american photographers
PA=Available
photography
photography into sculpture
Price_€20 to €50
PS=Active
rebecca morse
richard jackson
softlaunch
Product details
- ISBN 9780520281479
- Dimensions: 178 x 254mm
- Publication Date: 02 Feb 2016
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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In 1970 photography curator Peter C. Bunnell organized an exhibition called Photography into Sculpture for the Museum of Modern Art, New York. The project, which brought together twenty-three photographers and artists from the United States and Canada, was among the first exhibitions to recognize work that blurred the boundaries between photography and other mediums. At once an exhibition catalogue after the fact, an oral history, and a critical reading of exhibitions and experimental photography during the 1960s and 1970s, the Photographic Object 1970 proposes precedents for contemporary artists who continue to challenge traditional practices and categories. Mary Statzer has gathered a range of diverse materials, including contributions from Bunnell, Eva Respini and Drew Sawyer, Erin O'Toole, Lucy Soutter, and Rebecca Morse as well as interviews with Ellen Brooks, Michael de Courcy, Richard Jackson, Jerry McMillan, and other of the exhibition's surviving artists. Featuring seventy-nine illustrations, most of them in color, this volume is an essential resource on a groundbreaking exhibition.
Mary Statzer is an independent curator, scholar, and educator whose work focuses on the history of photography from 1960 to the present. She has worked with curatorial departments at the Phoenix Art Museum and Center for Creative Photography in Tucson. She lives in Tempe, Arizona.
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