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B01=Court Carney
B01=Erin C. Callahan
Category1=Non-Fiction
Category=AVGH
Category=AVGP
Category=AVH
Category=JFCA
COP=United Kingdom
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Language_English
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The Politics and Power of Bob Dylans Live Performances: Play a Song for Me

English

    1. While Dylan is not new as an academic subject, this collections focus (on live performance) provides a new window or way to gaze and understand Dylan and his place in our culture.
    2. One critical strength is its interdisciplinarity. Looking through several disciplines, bumping against them, and pushing them, gives a multi-functional lens to view Dylan the performer.
    3. The contributors represent diverse voices in the next generation of Dylan scholars.
    4. This collection fills a void in Dylan Studies by adding a new dimension to the literature of Dylans work through his curation of setlists.
    5. These essays underscore the continued importance of deep, scholarly examinations of Dylans career beyond biography and musicology.
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Current price €129.59
Original price €143.99
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Age Group_Uncategorizedautomatic-updateB01=Court CarneyB01=Erin C. CallahanCategory1=Non-FictionCategory=AVGHCategory=AVGPCategory=AVHCategory=JFCACOP=United KingdomDelivery_Pre-orderLanguage_EnglishPA=Not yet availablePrice_€100 and abovePS=Forthcomingsoftlaunch

Will deliver when available. Publication date 17 Nov 2023

Product Details
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Nov 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781032315416

About

Erin C. Callahan (PhD Drew University) is Professor of English at San Jacinto College in Houston Texas. She has published on gender in the Star Wars Saga Star Trek: The Next Generation and Charles Schulzs Peanuts and contributed an essay to 21st Century Dylan: Late and Timely. She has presented at various conferences including ACA/PCA PAMLA Bob Dylan in the 21st Century in Arras France and The World of Bob Dylan in Tulsa Oklahoma.Court Carney (PhD LSU) is Professor of History at Stephen F. Austin State University where he teaches on race memory culture and music. He is the author of Cuttin Up: How Jazz Got Americas Ear and a forthcoming book on the public memory of Nathan Bedford Forrest.

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