Possibility Machine

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A32=Celine Ayala
A32=James Deaville
A32=Jessica A Holmes
A32=Joanna Dee Das
A32=Kirstin Bews
A32=Laura Dallman
A32=Maddie House-Tuck
A32=Pheaross Graham
A32=Robert Fink
Age Group_Uncategorized
Age Group_Uncategorized
aging
American Dream
automatic-update
B01=Jake Johnson
Branson
Broadway
Category1=Non-Fiction
Category=AVC
Category=KNT
celebrity
classical music
COP=United States
dancing
Delivery_Delivery within 10-20 working days
desert
disenchantment
diva
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
fantasy
gambling
Icarus
illusion
impersonation
jazz
Language_English
Los Angeles
magic
mariachi
masculinity
Mormonism
musical theater
Nevada
opera
PA=Available
Price_€100 and above
PS=Active
queer performance
race
residency
road trip
second chances
softlaunch
soundscape
spectacle
stage band
sustainability
television
tourist
unreality
virtuosity
voices

Product details

  • ISBN 9780252045417
  • Weight: 454g
  • Dimensions: 156 x 235mm
  • Publication Date: 10 Oct 2023
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Singular and star-studded writings on America’s neon-lit playground

At once a Technicolor wonderland and the embodiment of American mythology, Las Vegas exists at the Ground Zero of a reverence for risk-taking and the transformative power of a winning hand. Jake Johnson edits a collection of short essays and flash ideas that probes how music-making and soundscapes shape the City of Second Chances. Treating topics ranging from Cher to Cirque de Soleil, the contributors delve into how music and musicians factored in the early development of Vegas’s image; the role of local communities of musicians and Strip mainstays in sustaining tensions between belief and disbelief; the ways aging showroom stars provide a sense of timelessness that inoculates visitors against the outside world; the link connecting fantasies of sexual prowess and democracy with the musical values of Liberace and others; considerations of how musicians and establishments gambled with identity and opened the door for audience members to explore Sin City–only versions of themselves; and the echoes and energy generated by the idea of Las Vegas as it travels across the country.

Contributors: Celine Ayala, Kirstin Bews, Laura Dallman, Joanna Dee Das, James Deaville, Robert Fink, Pheaross Graham, Jessica A. Holmes, Maddie House-Tuck, Jake Johnson, Kelly Kessler, Michael Kinney, Carlo Lanfossi, Jason Leddington, Janis McKay, Sam Murray, Louis Niebur, Lynda Paul, Arianne Johnson Quinn, Michael M. Reinhard, Laura Risk, Cassaundra Rodriguez, Arreanna Rostosky, and Brian F. Wright

Jake Johnson is an associate professor of musicology at Oklahoma City University. He is the author of Mormons, Musical Theater, and Belonging in America and Lying in the Middle: Musical Theater and Belief at the Heart of America.