Practice of Popular Music

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A01=Trevor de Clercq
advanced commercial songwriting theory
Age Group_Uncategorized
Age Group_Uncategorized
audio engineering curriculum
Author_Trevor de Clercq
automatic-update
Category1=Non-Fiction
Category=AVA
Category=AVGL
Category=AVGP
Category=AVGQ
Category=AVGR
Category=AVLP
chromatic mixture
Commercial music
compound meter analysis
Contemporary music
COP=United Kingdom
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Form
Harmony
Language_English
Melody
Music analysis
Music theory
Musicianship
PA=Not yet available
phrase structure analysis
Popular music
Price_€20 to €50
PS=Forthcoming
Rhythm
secondary dominants
softlaunch
syncopation techniques

Product details

  • ISBN 9781032362892
  • Weight: 1220g
  • Dimensions: 210 x 280mm
  • Publication Date: 23 Sep 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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The Practice of Popular Music is a music theory and musicianship textbook devoted to explaining the organization of contemporary popular music styles such as pop, rock, R&B, rap, and country. Rooted in recent research showing that the structure of popular music differs from classical music in important ways, this textbook offers an approach to teaching music theory that is fully oriented around popular and commercial genres.

Beginning with fundamentals and requiring no previous training in music theory or notation, this book eventually guides the reader through a range of advanced topics, including chromatic mixture, secondary chord function, complex time signatures, and phrase organization. Each chapter develops concepts in tandem with aural comprehension, and the included exercises balance written tasks with listening activities. A companion website provides links to playlists of the music discussed in the book.

With an innovative approach designed to broaden the reach of music theory coursework to a wide range of students, including non-majors and those in modern music degree programs such as audio engineering, songwriting, and music business, this textbook enables readers to gain a deep understanding of music theory in the context of popular music.

Trevor de Clercq is a Professor in the Department of Recording Industry at Middle Tennessee State University.

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