Queer Bookishness of Romanticism

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A01=Michael E. Robinson
Age Group_Uncategorized
Age Group_Uncategorized
Author_Michael E. Robinson
Authorship
automatic-update
Book collecting
Book history
British literature
Category1=Non-Fiction
Category=DS
Category=HBJD1
Category=JBSF
Category=JFSJ
Category=NHD
Charles Lamb
Collectors
COP=United States
Delivery_Delivery within 10-20 working days
Eighteenth Century
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Harry Forman
Language_English
Library science
Literary History
Material Studies
PA=Available
Price_€20 to €50
PS=Active
Queer Theory
Romanticism
Sexuality
softlaunch
Thomas J. Wise

Product details

  • ISBN 9781793607959
  • Weight: 363g
  • Dimensions: 152 x 228mm
  • Publication Date: 18 Aug 2022
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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How did the buying and collecting of books figure in the lives and works of the Romantics, those supposed apostles of spiritualized poetic genius? Why was book collecting controversial during the Romantic period, and what role has book collecting played in the history of homophobia? The Queer Bookishness of Romanticism: Ornamental Community addresses these and more questions about the suppressed bookish dimension of Romanticism, as well as Romanticism’s historical forebears and Victorian inheritors. The analysis ranges widely, addressing the bookish proclivities of the "romantic friends" the Ladies of Llangollen, the camp works about book collecting produced by a subculture calling themselves “ornamental gentlemen,” narratives of prototypically punk collecting and flâneuring by the essayist and collector Charles Lamb, and rare-book forgeries by Thomas J. Wise and Harry Forman, queer bibliographer-scholars responsible for canonizing some of the Romantic poets during the Victorian period. In the process, this book uncovers surprising connections between conceptions of literature and sexuality; literary materiality and queerness; and forgery, sexuality, and authorship.
Michael Robinson is lecturer in the writing and rhetoric department at the University of Rhode Island.

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