Religious Art of Pablo Picasso

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20th century art history
20th century european art
A01=Jane Daggett Dillenberger
A01=John Handley
A23=Michael Morris
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art
artists
atheist
Author_Jane Daggett Dillenberger
Author_John Handley
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bullfighting
Category1=Non-Fiction
Category=ACX
Category=AGA
Category=AGB
Category=AGR
catholic church
ceramicist
christianity
collage
constructed sculpture
COP=United States
crucifixion
cubist movement
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eq_nobargain
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guernica
Language_English
PA=Available
pablo picasso
painter
paintings
Price_€20 to €50
printmaker
PS=Active
religion
religious art
religious iconography
religious imagery
sculptor
secular subject matter
softlaunch
spanish art
spanish art history
spanish artist
spanish civil war
spiritual
spiritual themes
temple of peace

Product details

  • ISBN 9780520276291
  • Weight: 590g
  • Dimensions: 178 x 254mm
  • Publication Date: 17 Apr 2014
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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This is the first critical examination of Pablo Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed atheist, his work employs spiritual themes--and, often, traditional religious iconography. In five engagingly written, accessible chapters, Jane Daggett Dillenberger and John Handley address Picasso's cryptic 1930 painting of the Crucifixion; the artist's early life in the Catholic church; elements of transcendence in Guernica; Picasso's later, fraught relationship with the church, which commissioned him in the 1950s to paint murals for the Temple of Peace chapel in France; and the centrality of religious themes and imagery in bullfighting, the subject of countless Picasso drawings and paintings.
Jane Dillenberger is professor emerita of art and religion at the Graduate Theological Union in Berkeley. She studied at the University of Chicago and is author of The Religious Art of Andy Warhol (1998), Style and Content in Christian Art (2004), and Secular Art with Sacred Themes (1969). She curated several exhibitions for the Berkeley Art Museum during the 1970s on spirituality and art. John Handley completed his PhD at the Graduate Theological Union in 2012; his dissertation focused on the religious art of Stephen De Staebler.

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