Rise of Spanish-Language Filmmaking

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A01=Lisa Jarvinen
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american studies
Author_Lisa Jarvinen
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Category1=Non-Fiction
Category=APFA
Category=ATFA
cinema history
cinema studies
communications
COP=United States
cultural identity
culture
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eq_art-fashion-photography
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eq_isMigrated=2
eq_nobargain
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film and video
film history
film industry
film studies
filmmakers
filmmaking
hispanic
history and criticism
Hollywood
identity
Language_English
Latin america
latin american culture
latin american studies
latina studies
latinao studies
latino studies
latinx studies
media studies
mexico
movie culture
movie history
movie industry
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non-fiction
nonfiction
PA=Available
performing arts
Price_€20 to €50
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rutgers
rutgers university
rutgers university press
silent films
softlaunch
Spain
Spanish films
spanish-speaking
spanish-speaking world
subtitles
translating
translation
United States

Product details

  • ISBN 9780813552866
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Jun 2012
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Silent film was universally understood and could be exported anywhere. But when “talkies” arrived, the industry began experimenting with dubbing, subtitling, and dual track productions in more than one language. Where language fractured the European film market, for Spanish-speaking countries and communities, it created new opportunities. In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost ground in the lucrative international Spanish-speaking audience between 1929 and 1939.

Hollywood studios initially trained cadres of Spanish-speaking film professionals, created networks among them, and demonstrated the viability of a broadly conceived, transnational, Spanish-speaking film market in an attempt to forestall the competition from other national film industries. By the late 1930s, these efforts led to unintended consequences and helped to foster the growth of remarkably robust film industries in Mexico, Spain, and Argentina. Using studio records, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. She shows through case studies based on archival research in the United States, Spain, and Mexico how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.

LISA JARVINEN is an assistant professor of history at La Salle University. She has published essays in The Wiley-Blackwell History of American Film and in Cinema and the Swastika: The International Expansion of Third Reich Cinema (1933–1945).

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