Rival Widows, or Fair Libertine (1735)

Regular price €32.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Tiffany Potter
Category1=Non-Fiction
Category=DD
COP=Canada
culture
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
female writers
gender
history
Language_English
literature
PA=Available
Price_€20 to €50
PS=Active
softlaunch
writers

Product details

  • ISBN 9781442615458
  • Weight: 360g
  • Dimensions: 152 x 230mm
  • Publication Date: 01 Jan 2013
  • Publisher: University of Toronto Press
  • Publication City/Country: CA
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Elizabeth Cooper’s The Rival Widows, or Fair Libertine provides a unique opportunity to restore to scholarly and pedagogical attention a neglected female writer and a play with broad and significant implications for studies of eighteenth-century history, culture and gender. Following the adventures of Lady Bellair, a “glowing, joyous young Widow,” the storyline regenders standard expectations about desire, marriage, libertinism and sentiment. The play has not been reprinted since 1735; therefore this old-spelling edition gives scholars access to an important but neglected resource for studies of women writers and eighteenth-century theatre.

In an original and extensive introduction, Tiffany Potter presents cultural and historical information that highlights the scholarly implications of this newly available play. She offers a brief biographical sketch of the playwright; a summary of sources for specific elements of the play; an overview of the theatrical climate of the time (with particular focus on the conditions leading to the Licensing Act of 1737); a discussion of the place of women in eighteenth-century society; a summary of symbiotic cultural discourses of libertinism and sensibility in the early eighteenth century; and a discussion of the general cultural significance of Cooper’s demonstration of the malleability of prescriptive gender roles. Further value is added to this edition through its appendices, which reproduce documents relating to the playwright Elizabeth Cooper and to the Licensing Act of 1737 (including the text of the Act itself).

Tiffany Potter teaches eighteenth-century British and American literature at the University of British Columbia. Her most recent book is the edited collection Women, Popular Culture, and the Eighteenth Century.