Roots of Metaphor

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A01=Norman Kreitman
aesthetic experiences
aesthetic judgement
Age Group_Uncategorized
Age Group_Uncategorized
American Sign Language
Animal Kingdom
Author_Norman Kreitman
automatic-update
Category1=Non-Fiction
Category=HPN
Category=QDTN
CAZ
cognitive psychology
COP=United Kingdom
Defensive Strategies
Delivery_Pre-order
eq_isMigrated=2
eq_nobargain
Event Related Brain Potentials
good metaphor
Individual's Construct System
Individual’s Construct System
information processing theory
Lady Diana Beauclerk
Language_English
linguistic creativity
Open Class Words
Operatic Performers
PA=Temporarily unavailable
personal construct psychology
Personal Construct Theory
Price_€20 to €50
PS=Active
psychoanalytic theory
psychological mechanisms of metaphor
Semantic Information
Semantic Strain
softlaunch
Superordinate Constructs
Word Expectancy
Young Men

Product details

  • ISBN 9781138356634
  • Weight: 400g
  • Dimensions: 152 x 219mm
  • Publication Date: 23 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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First published in 1999, this study begins with a review of basic biological functions, stressing the importance to the organism of various kinds of information. The 'biology of information' must consider how the brain reacts to new, as contrasted with expected, inputs; these differences are discussed chiefly in relation to language. In language processing predictability is of prime importance, but to clarify what this entails it is necessary to consider just how our concepts are organized. Personal construct theory throws considerable light on this question, but is less informative about fantasy, which requires separate exploration. The main chapter focuses on the origins and interpretation of metaphor, in which quite disparate concepts are united but which we understand nevertheless. Existing theories of metaphor are unsatisfactory, but personal construct theory again helps resolve the psychological-linguistic issues. Finally, the question is raised as to why a good metaphor produces a response which is recognizably aesthetic in character, and its implications for our aesthetic responses to other art forms are explored.

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