Routledge Companion to Jacques Lecoq

Regular price €328.60
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
actor movement analysis
Age Group_Uncategorized
Age Group_Uncategorized
approach
Arlecchino
automatic-update
B01=Mark Evans
B01=Rick Kemp
Category1=Non-Fiction
Category=ANC
Category=AT
Category=ATDC
contemporary stage practice
COP=United Kingdom
copeau
Delivery_Delivery within 10-20 working days
Dramatic Territories
Du Vieux Colombier
embodied performance theory
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
graduate
improvisational pedagogy
Jacques Lecoq
Language_English
Larval Mask
Le Jeu
Lecoq Graduate
Lecoq's Approach
Lecoq's Pedagogy
Lecoq's School
Lecoq's Training
Lecoq's Work
lecoqs
Lecoq’s Approach
Lecoq’s Pedagogy
Lecoq’s School
Lecoq’s Training
Lecoq’s Work
LEM
Litz Pisk
London International Mime Festival
Marcel Jousse
mask
mask performance techniques
movement-based actor training research
neutral
Neutral Mask
Odin Teatret
PA=Available
Pantomime Blanche
pedagogy
Philippe Gaulier
physical theatre methods
Price_€100 and above
PS=Active
school
softlaunch
Theatre De La Jeune Lune
Tout Bouge
training
Universal Poetic Sense
Vice Versa
work
Young Man

Product details

  • ISBN 9781138818422
  • Weight: 976g
  • Dimensions: 174 x 246mm
  • Publication Date: 18 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

The Routledge Companion to Jacques Lecoq presents a thorough overview and analysis of Jacques Lecoq's life, work and philosophy of theatre. Through an exemplary collection of specially commissioned chapters from leading writers, specialists and practitioners, it draws together writings and reflections on his pedagogy, his practice, and his influence on the wider theatrical environment. It is a comprehensive guide to the work and legacy of one of the major figures of Western theatre in the second half of the twentieth century. In a four-part structure over fifty chapters, the book examines:

  • The historical, artistic and social context out of which Lecoq's work and pedagogy arose, and its relation to such figures as Jacques Copeau, Antonin Artaud, Jean-Louis Barrault, and Dario Fo.
  • Core themes of Lecoq's International School of Theatre, such as movement, play, improvisation, masks, language, comedy, and tragedy, investigated by former teachers and graduates of the School.
  • The significance and value of his pedagogical approaches in the context of contemporary theatre practices.
  • The diaspora of performance practice from the School, from the perspective of many of the most prominent artists themselves.

This is an important and authoritative guide for anyone interested in Lecoq's work.

Mark Evans is Professor of Theatre Training and Education and Associate Dean (Student Experience) in the Faculty of Arts and Humanities at Coventry University. His research focuses on the work of Jacques Copeau, Jacques Lecoq and movement training for the modern actor. He recently edited The Actor Training Reader (Routledge, 2015) and is an Associate Editor of the Theatre, Dance and Performance Training journal.

Rick Kemp is Head of Acting and Directing at Indiana University of Pennsylvania, and the author of Embodied Acting (Routledge 2012). He has worked internationally as an actor and director with companies and theatres such as Commotion, Complicite, Almeida, Teatr Polski and the Bouffes du Nord.