Routledge Introduction to American Comics

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A01=Andrew J. Kunka
A01=Rachel R. Miller
Age Group_Uncategorized
Age Group_Uncategorized
American popular culture art
Author_Andrew J. Kunka
Author_Rachel R. Miller
automatic-update
Category1=Non-Fiction
Category=DSB
Category=HBJK
Category=JBCC1
Category=JFCA
Category=NHK
comics medium evolution in United States
COP=United Kingdom
cultural impact of cartoons
Delivery_Pre-order
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Graphic Novels
Language_English
PA=Not yet available
Price_€100 and above
PS=Forthcoming
self-publishing comics
sequential art studies
softlaunch
underground comix history
visual storytelling analysis

Product details

  • ISBN 9781032027678
  • Weight: 517g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This accessible, up-to-date textbook covers the history of comics as it developed in the US in all of its forms: political cartoons and newspaper comic strips, comic books, graphic novels, minicomics, and webcomics. Over the course of its six chapters, this introductory textbook addresses the artistic, cultural, social, economic, and technological impacts and innovations that comics have had in American history. Readers will be immersed in the history of American comics—from its origins in 18th-century political cartoons and late 19th-century newspaper strips to the rise of the wildly popular comic book, the radical, grassroots collectives that grew out of the underground comix movement of the 1960s and 1970s, all the way through contemporary longform graphic novels, the vibrant self-publishing scene, and groundbreaking webcomics. The Routledge Introduction to American Comics guides students, researchers, archivists, and even fans of the medium through a contemporary history of comics, attending to how a diverse range of creators and researchers have advanced the art form in key ways since its inception as a foundational art of American popular culture. In this way, it is uniquely suited to readers engaged in the study of comics, as well as those interested in the creation of comics and graphic narratives.

Andrew J. Kunka is Professor of English at the University of South Carolina Sumter. He received his PhD in Twentieth-Century British Literature from Purdue University and a MA in British and American Literature from Marquette University. He is the author of Autobiographical Comics and the Eisner Award-nominated The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth. He has written on a variety of topics in comics studies, including race and ethnicity, the history of the graphic novel, the Comics Code, and adaptations.

Rachel R. Miller received her PhD and MA in Twentieth and Twenty-First-Century American Literature and Visual Culture from The Ohio State University, where she served as the first Assistant Editor for Inks: The Journal of the Comics Studies Society. Her work on women’s comics has been published in The Oxford Handbook of Comics Studies, The Routledge Companion to Gender and Sexuality in Comic Book Studies, and Comics Memory: Archives and Styles. She co-curated the show Ladies First: A Century of Women’s Contributions to Comics and Cartoon Art at the Billy Ireland Cartoon Library and Museum.

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