Running Kind

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biography
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country music
country music history
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Merle Haggard
music criticism
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Product details

  • ISBN 9781477322369
  • Weight: 680g
  • Dimensions: 156 x 235mm
  • Publication Date: 17 May 2022
  • Publisher: University of Texas Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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2022 Belmont Award for the Best Book on Country Music, International Country Music Conference/Belmont University

New and expanded biography of one of country music's most celebrated singer-songwriters.


Merle Haggard enjoyed numerous artistic and professional triumphs, including more than a hundred country hits (thirty-eight at number one), dozens of studio and live album releases, upwards of ten thousand concerts, induction into the Country Music Hall of Fame, and songs covered by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Bobby "Blue" Bland, Willie Nelson, the Grateful Dead, and Bob Dylan.

In The Running Kind, a new edition that expands on his earlier analysis and covers Haggard's death and afterlife as an icon of both old-school and modern country music, David Cantwell takes us on a revelatory journey through Haggard's music and the life and times out of which it came. Covering the breadth of his career, Cantwell focuses especially on the 1960s and 1970s, when Haggard created some of his best-known and most influential music: songs that helped invent the America we live in today. Listening closely to a masterpiece-crowded catalogue (including "Okie from Muskogee," "Sing Me Back Home," "Mama Tried," and "Working Man Blues," among many more), Cantwell explores the fascinating contradictions—most of all, the desire for freedom in the face of limits set by the world or self-imposed—that define not only Haggard's music and public persona but the very heart of American culture.

David Cantwell is the coauthor of Heartaches by the Number: Country Music's 500 Greatest Singles and the author of the first edition of this book, Merle Haggard: The Running Kind (2013). His journalism appears in the New Yorker, Salon, Rolling Stone Country, the Oxford American, and No Depression.

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