Selfie, Temporality, and Contemporary Photography

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A01=Claire Raymond
affect theory
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algorithmic subjectivity
aphanisis
Author_Claire Raymond
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Capitalist identity
Capitalist Temporality
Capitalist Time
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contemporary art
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critical theory analysis
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Europe
face
Film Photography
Funerary Masks
Gaspard De La Nuit
identity
identity construction
image
imperialism
indigenous
Lacan
Language_English
Larger Gaze
Memory Palace
modernity
Mortal Time
Natural Memory
ontology and epistemology
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Past Tense
philosophy
Photo-editing Apps
Photographic Self-portraits
photography
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Racist Terrorism
Screen Face
self portrait
Self-portrait Photograph
selfie
Selfie Culture
Selfie Image
Selfie practice
Social Media
Social Media Companies
Social Media Platforms
Social Media Practice
softlaunch
subject
technology
temporality
temporality in digital photography
the self
the west
theory
time
Uncanny Valley
Violated
Visual culture
visual culture studies
Young Man

Product details

  • ISBN 9780367765750
  • Weight: 440g
  • Dimensions: 174 x 246mm
  • Publication Date: 19 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice.

Claire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier.

The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.

Claire Raymond is a visiting research associate at Princeton University and a visiting scholar with the department of English at the University of Virginia. She is the author of Francesca Woodman’s Dark Gaze: The Diazotypes and Other Late Works; Women Photographers and Feminist Aesthetics; Witnessing Sadism in Texts of the American South; and Francesca Woodman and the Kantian Sublime. Her research focuses on aesthetics, poetics, and the intersections of cultural trauma and representation.

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