Shakespearean International Yearbook
Regular price
€192.20
14 days return policy
Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
Alexander Leggatt
Atsuhiko Hirota
automatic-update
B01=Mark Turner
Bernice W. Kliman
Blending Networks
Category1=Non-Fiction
Category=DS
Conceptual Integration Network
CONDUIT Metaphor
COP=United States
Delivery_Pre-order
Donald C. Freeman
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European cultural exchange
Eve Sweetser
French Warrior
gender and sexuality discourse
global reception of Shakespearean works
Graham Bradshaw
Green Eyed Monster
Harry Berger
Infinitely Divided
Infinitely Divisible
Input Mental Spaces
Input Space
Intuitive Physics
John Bell
John Lee
John Talbot
Katharine Eisaman Maus
King Richard III
Language_English
Lars Engle
Light Winged Toys
literary adaptation analysis
Mary Thomas Crane
Metaphorical Projection
Othello's Visage
PA=Temporarily unavailable
Per Aage Brandt
performance theory
Precious Nonsense
Price_€100 and above
PS=Active
Ramie Targoff
Renaissance literature studies
Richard III
Robin Headlam Wells
romance genre criticism
Shakespeare's Richard III
Shakespearean International Yearbook
softlaunch
Susan Viguers
Tom Bishop
Tragic Flaw
Verse
Verse Line
Young Man
Young Talbot
Product details
- ISBN 9780815398233
- Weight: 870g
- Dimensions: 152 x 235mm
- Publication Date: 29 Nov 2017
- Publisher: Taylor & Francis Inc
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
Mark Turner
