Smell of Risk

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A01=Hsuan L. Hsu
activism
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Asian diaspora
atmosphere
Author_Hsuan L. Hsu
automatic-update
Category1=Non-Fiction
Category=HBTB
Category=HPN
Category=JBSL
Category=JFSL
Category=JHMC
Category=NHTB
Category=QDTN
COP=United States
decolonization
Delivery_Delivery within 10-20 working days
deodorization
detection
detective fiction
disparities
environment
environmental illness
environmental justice
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fragrance-free
Indigenous
Language_English
museum
naturalism
olfaction
olfactory art
olfactory politics
PA=Available
Price_€20 to €50
PS=Active
race
settler colonialism
shadow smells
smellscape
softlaunch
stink-bombs
toxic
trans-corporeal

Product details

  • ISBN 9781479810093
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Dec 2020
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A timely exploration of how odor seeps into structural inequality
Our sense of smell is a uniquely visceral—and personal—form of experience. As Hsuan L. Hsu points out, smell has long been spurned by Western aesthetics as a lesser sense for its qualities of subjectivity, volatility, and materiality. But it is these very qualities that make olfaction a vital tool for sensing and staging environmental risk and inequality. Unlike the other senses, smell extends across space and reaches into our bodies. Hsu traces how writers, artists, and activists have deployed these embodied, biochemical qualities of smell in their efforts to critique and reshape modernity's olfactory disparities.
The Smell of Risk outlines the many ways that our differentiated atmospheres unevenly distribute environmental risk. Reading everything from nineteenth-century detective fiction and naturalist novels to contemporary performance art and memoir, Hsu takes up modernity's differentiated atmospheres as a subject worth sniffing out. From the industrial revolution to current-day environmental crises, Hsu uses ecocriticism, geography, and critical race studies to, for example, explore Latinx communities exposed to freeway exhaust and pesticides, Asian diasporic artists' response to racialized discourse about Asiatic odors, and the devastation settler colonialism has reaped on Indigenous smellscapes. In each instance, Hsu demonstrates the violence that air maintenance, control, and conditioning enacts on the poor and the marginalized. From nineteenth-century miasma theory theory to the synthetic chemicals that pervade twenty-first century air, Hsu takes smell at face value to offer an evocative retelling of urbanization, public health, and environmental violence.

Hsuan L. Hsu is Professor of English at the University of California Davis and the author of Geography and the Production of Space in Nineteenth-Century American Literature and Sitting in Darkness: Mark Twain's Asia and Comparative Racialization.

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