Smile of Truth

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A01=Annette H. Tomarken
Ablative case
Acute accent
Admiration
Affection
Age Group_Uncategorized
Age Group_Uncategorized
Anecdote
Author_Annette H. Tomarken
automatic-update
Awareness
Beauty
Blason
Brightness
Caricature
Category1=Non-Fiction
Category=DSBH
Certainty
Concision (media studies)
COP=United States
Courtesy
Courtier
Courtly love
Delicacy
Delivery_Pre-order
Democracy
Depth of focus
Elegance
Eloquence
Encomium
Entertainment
Enthusiasm
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
Eulogy
Faithfulness
Flattery
Freedman
General knowledge
Generosity
Genre
Good faith
Gratification
Gratitude
Guideline
Gullibility
His Favorite
Hospitality
Humour
Imitation
In-joke
Irony
Kindness
Language_English
Laughter
Literacy
Longevity
Loyalty
Magnanimity
Modesty
Morality
PA=Temporarily unavailable
Parable
Parody
Piety
Poetry
Popularity
Price_€50 to €100
Pride
Prose
PS=Active
Pun
Rationality
Sagesse
Sanity
Satire
Self-abasement
Self-justification
Self-love
Seriousness
Sincerity
softlaunch
Sophism
Sophistication
Temperance (virtue)
Virility

Product details

  • ISBN 9780691608365
  • Weight: 510g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Jul 2014
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic posture within their mock encomia in order to refer the reader beyond the realm of the literary structure. In this book Annette Tomarken reconstructs the history of the classical satirical eulogy as it was revived, expanded, and finally adapted to new purposes in Renaissance literature. Tracing the development of this type of paradox from its classic roots through the Neo-Latin, Italian, and French mock encomia, Tomarken examines its various forms in the Renaissance, including the Pliade "hymne-blason," the mock epitaph, and the stage "harangue." Her book provides a new context for such works as In Praise of Folly and for such literary passages as Rabelais's praise of debts and Falstaff's denunciation of honor. Dividing the eulogies into three groups--praises of vices, disease, and animals and insects--Tomarken brings humor as well as close textual analysis to her study. She finds that the practitioners of the form were aware of its history and that such self-awareness became an integral part of the works themselves. An increased sensitivity to the literary structure and history of the paradoxical encomium, Tomarken stresses, first requires and then enriches our understanding of the genre's relationship to the extra-literary domain. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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