Social Network

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A01=Neil Archer
Aaron Sorkin
accelerated editing style
Age Group_Uncategorized
Age Group_Uncategorized
Animal House
AOL Instant Messenger
audiovisual aesthetics
Author_Neil Archer
automatic-update
Breakfast Club
Category1=Non-Fiction
Category=ATF
Category=H
Category=JBCC1
Category=JBCT
Category=JFC
Category=JFD
Category=JHB
CEO
Chicago Stock Exchange
cinema and youth cultures
computer-mediated communication
consumer culture critique
COP=United Kingdom
David Fincher
Delivery_Pre-order
digital media studies
digital youth cinema analysis
disruptions
DVD Commentary
Eduardo Saverin
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Facebook
Facebook Ceo
Facebook Story
Ferris Bueller's Day
Final Clubs
Graphic Matches
hacker culture analysis
Hunger Games
Intensified Continuity
Language_English
Mark Zuckerberg
MIT Student
PA=Not yet available
Porcellian Club
Price_€20 to €50
PS=Forthcoming
Row Crew
Silicon Valley Innovation
Social Network
social networks
softlaunch
Teen Films
USA
Vice Versa
West Wing
Young Man
youth culture
Youth Film

Product details

  • ISBN 9780367753115
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 25 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This in-depth study of one of the twenty-first century’s most acclaimed films, The Social Network: Youth Film 2.0 considers the contribution of David Fincher and Aaron Sorkin’s film to the understanding of ‘youth’ in a contemporary, digital age.

The book starts by situating The Social Network within the contexts of ‘youth film’, arguing that it challenges and reshapes the boundaries of this genre by rethinking the notion of ‘youth’ itself in the present century. It goes on to consider in detail the aesthetics at work in the film, arguing for its critical and reflexive use of an ‘accelerated’ audio-visual style, in order to capture both the new visual regimes of the personal computer era, and the ethical and intellectual ambiguities of Facebook itself as a creation. Finally, it locates the film within the broader visual styles and fashion codes of a late twentieth- and early twenty-first-century consumer culture that incorporates and commodifies rebellion and dissent: qualities that underpinned Facebook’s emerging, paradoxical identity as at once the epitome of ‘hacker’ culture and also a multi-billion-dollar global company.

Reframing the meaning of youth cinema, this volume in the Cinema and Youth Culture series is ideal for students, researchers and scholars of cinema studies, youth culture and digital cultures.

Neil Archer is Senior Lecturer in Film at Keele University, UK. He is the author of seven previous books, including Cinema and Brexit: The Politics of Popular English Film (2021) and Twenty-First-Century Hollywood: Rebooting the System (2019).

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