Social Worlds of Nineteenth-Century Chamber Music

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19th century
A01=Marie Sumner Lott
acquisition
Age Group_Uncategorized
Age Group_Uncategorized
amateur
at home
audience
Author_Marie Sumner Lott
automatic-update
Beethoven
Berwald
Brahms
Burgmuller
Category1=Non-Fiction
Category=AVGC4
Category=AVGC5
Category=AVL
Category=HBTB
chamber music
classical
community
consumer
consumption
COP=United States
Corelli
Delivery_Delivery within 10-20 working days
domestic
Dvorak
ensemble
entertainment
eq_art-fashion-photography
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Language_English
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music
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musicians
musicianship
musicology
nineteenth century
Onslow
opera
PA=Available
practice
Price_€20 to €50
progressive style
PS=Active
publication
repertoire
Romantic
Schubert
Schumann
Smetana
social
social history
softlaunch
string
transcription
use
Weber

Product details

  • ISBN 9780252083846
  • Weight: 399g
  • Dimensions: 156 x 235mm
  • Publication Date: 30 Jul 2018
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Music played an important role in the social life of nineteenth-century Europe, and music in the home provided a convenient way to entertain and communicate among friends and colleagues. String chamber music, in particular, fostered social interactions that helped build communities within communities.

Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvoøák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment.

Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.

Marie Sumner Lott is an associate professor of music history and literature at Georgia State University and a winner of a 2013 ASCAP-Deems Taylor award.

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