Société des Trois in the Nineteenth Century

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A01=Melissa Berry
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Age Group_Uncategorized
Alphonse Legros
art dealers
art market
artist group
Artist's Model
artistic community
artistic networks
Artist’s Model
Author_Melissa Berry
automatic-update
avant garde
avant-garde movements
Boulevard Des Italiens
Category1=Non-Fiction
Category=ABQ
Category=ACV
Category=AGA
Category=HBJD
Category=HBJD1
Category=HBLL
Category=N
Category=NHB
Category=NHD
Charles Baudelaire
COP=United Kingdom
cross-cultural collaboration
Delivery_Pre-order
Du Maurier
Dudley Gallery
early modernist art circles
Edouard Manet
England
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
France
Freer Art Gallery
Friendship Albums
Future Practice
Gerard Ter Borch
Grosvenor Gallery
Gustave Courbet
Henri Fantin-Latour
individualism
James McNeill Whistler
Johnson Collection
La Caze
Language_English
Legros's Works
Legros’s Works
London
modern art
modernism
Napoleon III
nineteenth century
nineteenth-century art networks
originality
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Paris
Price_€100 and above
Prix De Rome
PS=Active
Royal Academy
Royal Academy's Summer Exhibition
Royal Academy’s Summer Exhibition
Salon Des
Salon des RefusA(C)s history
softlaunch
student artist communities
Transitional Life Phases
translocal
transnational artistic exchange
Young Man

Product details

  • ISBN 9781138503151
  • Weight: 480g
  • Dimensions: 174 x 246mm
  • Publication Date: 15 Dec 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book reframes the formative years of three significant artists: Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler. The trio’s coming together as the Société des trois occurred during the emergence of the artistic avant-garde—a movement toward individualism and self-expression. Though their oeuvres appear dissimilar, it is imperative that the three artists’ early work and letters be viewed in light of the Société, as it informed many of their decisions in both London and Paris. Each artist actively cultivated a translocal presence, creating artistic networks that transcended national borders. Thus, this book will serve as a comprehensive resource on the development, production, implications, and eventual end of the Société.

Melissa Berry is an instructor in art history at the University of Victoria, Canada.

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