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Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan
Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan
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A01=Li-Chun Hsiao
Age Group_Uncategorized
Age Group_Uncategorized
anti-establishment character
Author_Li-Chun Hsiao
automatic-update
Category1=Non-Fiction
Category=DS
Category=DSBH
Category=JP
Cold War literature
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
institutionalization of literature
Language_English
PA=Available
postwar Taiwan literature
Price_€50 to €100
PS=Active
softlaunch
Taiwan modernism
Product details
- ISBN 9781498569095
- Weight: 463g
- Dimensions: 158 x 236mm
- Publication Date: 16 Aug 2022
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
- Language: English
The Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan: Freedom in the Trenches argues that what appeared to be a "genesis" of new literature engendered by the modernist movement in postwar Taiwan was made possible only through the "splendid isolation" within the Cold War world order sustaining the bubble in which "Free China" lived on borrowed time. The book explores the trenches of freedom in whose confines the soldier-poets' were surrealistically acquiesced to roam free under the aegis of "pure literature" and the buffer zone created by the US presence in Taiwan—and the modernists' expatriate writing from America—that aided their moderated deviance from the official line. It critically examines the anti-establishment character and gesture in the movement phase in terms of its entanglements with the state apparatus and the US-aided literary establishment. Taiwan's modernists counterbalance their retrospectively perceived excess and nuanced forms of exit with a series of spiritual as well as actual returns, upon which earlier traditionalist undercurrents would surface. This modernism's mixed legacies, with its aesthetic avant-gardism marrying politically moderate or conservative penchants, date back to its bifurcated mode of existence and operation of separating the realm of the aesthetic from everything else in life during the Cold War.
Li-Chun Hsiao is professor at Waseda University in Tokyo.
Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan
€97.99
