Home
»
Sound of Ontology
Sound of Ontology
Regular price
€92.99
603 verified reviews
100% verified
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
14-28 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Close
a priori
A01=Kenneth LaFave
Adorno
Age Group_Uncategorized
Age Group_Uncategorized
Aristotle
Author_Kenneth LaFave
automatic-update
Badiou
being
categories
Category1=Non-Fiction
Category=AVA
Category=HP
Category=HPCF3
Category=HPN
Category=JFCX
Category=QDH
Category=QDHR5
Category=QDTN
Charlie "Bird" Parker
concept
consonance
continental philosophy
COP=United States
Dasein
Delivery_Delivery within 10-20 working days
Descartes
disillusion
dissonance
dodecaphony
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
formalism
Gyorgy Ligeti
Heidegger
history of philosophy
illusion
intentionality
jazz
John Cage
Kant
Language_English
Leonard Bernstein
Merleau-Ponty
Nietzsche
nominalism
object
objectivism
PA=Available
Peter Price
phenomenology
Price_€50 to €100
PS=Active
representation
Richard Wagner
Schoenberg
Schopenhauer
semantics
serialism
Simon Critchley
softlaunch
syntax
value
Zizek
Product details
- ISBN 9781498551861
- Weight: 349g
- Dimensions: 159 x 238mm
- Publication Date: 15 Nov 2017
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
- Language: English
The Sound of Ontology: Music as a Model for Metaphysics explores connections between Western art music in the late 19th and early 20th centuries, and the ideas that dominated philosophy leading up to and during that period. In the process of establishing John Cage as Richard Wagner’s heir via Arnold Schoenberg, the author discovers that the old metaphysics of representation is still in charge of how we think about music and about experience in general. Instead of settling for the positivist definition of music as mere sound framed by time, LaFave provides a phenomenology of music that reveals pitch as the ontological counterpart to frequency, and music as a vehicle for understanding how, as Heidegger observed, the Being of “things of value” are invariably grounded in the Being of “things of nature.” Numerous musical examples and a poem by Wallace Stevens illustrate LaFave’s case that hierarchy is intrinsic to this understanding. Alfred North Whitehead’s process philosophy is brought to bear alongside Heidegger’s phenomenological ontology to show that not only music, but reality itself, depends on a play of interlocking hierarchies to effect the nature-value connection, making aesthetics first philosophy.
Kenneth LaFave earned his PhD in philosophy at The European Graduate School.
Sound of Ontology
€92.99
