String Quartets of Beethoven

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A32=Harald Krebs
A32=Joseph Kerman
A32=Lewis Lockwood
A32=Malcolm Miller
A32=Nicholas Marston
A32=Robert S Hatten
A32=Seow-Chin Ong
A32=William E Caplin
A32=William Kinderman
Adagio
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Age Group_Uncategorized
Allegro
analysis
automatic-update
B01=William Kinderman
bibliography
Birgit Lodes
Category1=Non-Fiction
Category=AVC
Category=AVLA
Category=AVRL
Cavatina
chamber music
chronology
classical
classical phase
composer
composing
COP=United States
countersubject
Dahlhaus
Delivery_Delivery within 10-20 working days
development
dissonance
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eq_music
eq_nobargain
eq_non-fiction
essays
F-Major Quartet
German
Great Fugue
Grosse Fuge
Harald Krebs
Haydn
heroic phase
history
Joseph Kerman
Language_English
late music
Lewis Lockwood
Maestoso
Malcolm Miller
Missa solemnis
music
Nicholas Marston
nineteenth century
Op 127
Op 130
Op 131
Op 18
Op 59
Op 74
Op 95
Op.
PA=Available
performance
Price_€20 to €50
process
PS=Active
Razumovsky
revision
Robert Hatten
romantic
romantic phase
Seow-Chin Ong
sketch
sketches
softlaunch
sonata
style
technique
theme
Vienna
Viennese
violin
William E. Caplin

Product details

  • ISBN 9780252085154
  • Weight: 626g
  • Dimensions: 178 x 254mm
  • Publication Date: 09 Mar 2020
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
William Kinderman is Professor and Inaugural Leon M. Klein and Elaine Krown Klein Chair of Performance Studies in the Herb Alpert School of Music at UCLA. His publications include Beethoven's Diabelli Variations, Beethoven, and the three-volume Artaria 195: Beethoven's Sketchbook for the Missa solemnis and the Piano Sonata in E Major, Opus 109.