Struggle of Entertainment and Neoliberal Postcolonial Capitalist Politics in "New" Saudi Arabia

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A01=Anas M. Alahmed
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Author_Anas M. Alahmed
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Category1=Non-Fiction
Category=JBCT
Category=JBSL
Category=JFD
Category=JP
COP=United States
Cultural Analysis
Cultural Production
Delivery_Delivery within 10-20 working days
Entertainment
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Global South
Language_English
Modernization
Neoliberal Capitalism
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Postcolonial Politics
Price_€50 to €100
PS=Active
Saudi Arabia
softlaunch

Product details

  • ISBN 9781498593748
  • Weight: 458g
  • Dimensions: 161 x 228mm
  • Publication Date: 07 Jul 2022
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Anas M. Alahmed argues that the Entertainment Authority of Saudi Arabia created in 2016 was meant to introduce a “new Saudi” to the Western outsider audience and that the “new Saudi” state is on a mission to transform the country from a traditional and conservative kingdom to a new state dedicated to social modernization and openness. Alahmed contends that globalization and the neoliberalism capitalist mode of politics have reinforced the transformation of cultural production into global entertainment production. Therefore, the author shows how the entertainment sector relies heavily on reproducing the Western culture of entertainment production and depends on Western businesses to bring entertainment into the country instead of investing in local entertainment businesses, which forces the state to adopt neoliberal capitalism. The author provides evidence on how the new modernity of Saudi Arabia has become a political tool through which neoliberal capitalists can create positive relationships with Western capitals as part of the postcolonial struggle of neoliberalism in the Global South. Alahmed argues that there is a connection between the role of geopolitical power in globalization and postcolonial studies that explains the struggles of indigenous cultures related to providing their own production to society.
Anas M. Alahmed, Ph.D. in media studies from Indiana University, is a critical media scholar.

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