Symbolic Imagination

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A01=J. Robert Barth
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Alexander Pope
Allegory
Anguish
Apologetics
Archetype
Austen
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Ben Jonson
Blank verse
Category1=Non-Fiction
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Christian apologetics
Christopher Smart
Conceit
Consubstantiality
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Couplet
Critical Essays (Orwell)
Deism
Deity
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English poetry
Epigram
Epithet
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Evocation
Existentialism
Fiction
Figure of speech
First appearance
Good and evil
Homer
Idiot
Imagery
Immanence
Impiety
Inner Experience
J. Hillis Miller
John Thelwall
Language_English
Literature
Lyrical Ballads
M. H. Abrams
Metaphor
Metaphysical poets
Mimesis
Narrative
Natural Supernaturalism
Novel
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Parable
Performative utterance
Physical plane
Physiognomy
Pity
Platonism
Poetry
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Prose
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Robert Southey
Romanticism
Samuel Taylor Coleridge
Sartor Resartus
Scholasticism
Shakespearean tragedy
Simile
softlaunch
Superiority (short story)
The Eolian Harp
The Faerie Queene
The Man of Feeling
The New Poetry
The Philosopher
The Rime of the Ancient Mariner
Theism
Theology
Thomas Carlyle
Thomas McFarland
Thought
William Lisle Bowles

Product details

  • ISBN 9780691643946
  • Weight: 397g
  • Dimensions: 152 x 235mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Studying the nature of symbol in Coleridge's work, Father Barth shows that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. He finds symbol to be an essentially religious reality for Coleridge, one that partakes of the nature of a sacrament, especially sacrament as an encounter between material and spiritual reality. Father Barth notes that eighteenth-century poetry was by and large a poetry of metaphor rather than of symbol, a poetry of reference rather than of encounter. In close readings of the poetry of Wordsworth and Coleridge, he shows how they practiced and developed the poetry of symbol. Finally, analyzing the symbolic imagination, the author concludes that it is a phenomenon profoundly linked with the experience of Romanticism itself and with a fundamental change in religious sensibility. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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