Theater of Terrence McNally

Regular price €47.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Raymond-Jean Frontain
Age Group_Uncategorized
Age Group_Uncategorized
AIDs
Author_Raymond-Jean Frontain
automatic-update
Category1=Non-Fiction
Category=AN
Category=ATD
Category=DSG
Category=JBSJ
Category=JFSK
Contemporary drama
COP=United States
Delivery_Delivery within 10-20 working days
Drama Studies
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gay drama
Language_English
LGBT Studies
Literary Criticism
Literary Studies
PA=Available
Price_€20 to €50
PS=Active
Queer Studies
softlaunch
Theater Studies

Product details

  • ISBN 9781683932178
  • Weight: 676g
  • Dimensions: 153 x 218mm
  • Publication Date: 15 Oct 2021
  • Publisher: Associated University Presses
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
Terrence McNally’s canon of plays, books for musicals and opera libretti possesses such a breadth of subject matter and diversity of dramatic modes that critics have had difficulty assessing his accomplishment. This book is the first critical study to identify the four major stages of McNally’s development in terms of his understanding of how theater helps the modern person trapped in a seemingly profane existence to find a gateway to the transcendent. Drawing upon such diverse religious thinkers as Martin Buber, Mircea Eliade, Ilia Delio and Carter Heyward, Frontain analyzes the evolution of McNally’s understanding of grace, not as a gift bestowed by an all-powerful deity upon a desperate soul, but as the unwarranted—and, thus, all the more unusual—“act of devotion” (McNally’s phrase) that one person performs for another. By seeking to foment community, most importantly at the height of the AIDS pandemic, McNally’s theater itself proves to be a channel of grace. McNally’s greatest success is shown to be the creation of a theater of empathy and compassion in contradistinction to Artaud’s “theater of cruelty” and Albee’s Americanization of the theater of the absurd.
Raymond-Jean Frontain is professor of English and former director of the Humanities Institute at the University of Central Arkansas.

More from this author